[Location & Hours]
• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Thursday - Saturday
12:00 - 18:00

[Get in Touch]
• WhatsApp
41 76 506 48 08
• Instagram
@gallerykendrajaynepatrick
Email
info@gallerykendrajaynepatrick.com



[Artists]
• QUALEASHA WOOD
• ADA FRIEDMAN

[Press]
Gallery Press

[Current]
Eva & Franco Mattes
J8~g#|;Net. Art{-^s1
• Bern
Open through July 20, 2024

Qualeasha Wood
code_amina
Solo Exhibition
• Harvey B. Gantt Center for African-American Arts + Culture
OPENING May 24, 2024


David-Jeremiah
I Drive Thee
Solo Exhibition
The Clark Institute
10 February 2024
- 26 January 26 2025

Qualeasha Wood
GIANTS: Art from the Dean Collection of Swizz Beatz and Alicia Keys
Group Exhibition
• The Brooklyn Museum
10 February 2024
- 7 July 2024

[Forthcoming]
Constanza Camila Kramer Garfias
Solo Exhibition
• Bern

[Past] 
• Bern Gallery Weekend
Saturday 13th & Sunday 14th January, 2024
• We will also be open on Friday 12th January
• 11:00 - 19:00
[Presenting]
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7: Do You Care Too Much?

• Bern

ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6 - 10, 2023

• Miami Beach

QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002

ADA FRIEDMAN
• Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002


MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE •
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7:
Do You Care Too Much?
Sep 8 - Oct 21, 2023
• Bern


SHARONA FRANKLIN @ Art Basel
• Bouquet Solutions
Jun 13 - 18, 2023
• Basel

DAVID-JEREMIAH @ EXPO Chicago
• FOGA: Real Nigga Edition
Apr 13 - 16, 2023
• Chicago

ANDRÉ MAGAÑA
• Riquísimo
Feb 10 - Mar 25, 2023
• Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @Art Basel Miami Beach, 2022
• The Three Fates
Nov 29 - Dec 4, 2022
• Miami Beach

ADA FRIEDMAN
• Paintings in Pisces
Oct 7 - Dec 17, 2022
• Bern

• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 6: OK, Computer
• New York City: Mar 4 - Apr 10, 2022
• Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD

• A Suite of New Works
November 28 - December 2, 2021
• Art Basel Miami Beach


DAVID-JEREMIAH 
• PLAY
Jan 15 - Mar 20, 2021
• The Hamptons


• ROSA MENKMAN @ Daata Miami 2020 (Online)

• QUALEASHA WOOD @ NADA Miami Beach (in New York), 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
• EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic
Sep 16 - Dec 31, 2020
• Metro Pictures x Kendra Jayne Patrick, Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 3: “I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
Jul 2020
• KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020 (Online)
• May 20 - Jun 21, 2020

JO SHANE
• Sculptures: 1990 - Present
May 2 - Jun 1, 2019
• New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
• Four as One and Three
Sep 16 - Nov 4, 2018
• New York City

Twenty-first Century Occupational Adjustments and Considerations: 
• EPISODE 2: One Liners
May 26 - Jun 17, 2018
• The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 1: Magnification
Jan 17 - Feb 28, 2018
• New York City

KENYA (ROBINSON)
• Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
• New York City



[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
A gallery in Bern, Switzerland with an itinerant arm in New York City. 


















Ada Friedman 
A Suite of Five Paintings 
Art Basel Miami Beach 2023 presentation 

December 6 - 10 2023 

 
 
This year We are proud to present
A Suite of Five Paintings by gallery artist, Ada Friedman. Works included are all part of her ‘Pathwork’ series (2022-present). Friedman makes untraditional paintings, with most works hosting one discreet painting on either side of its multi-surfaced structure. Pairs are intimately bound by Friedman’s acute senses of color, structure, and material coordination.

Paper is Friedman’s prima materia, for its versatile malleability. The shapes of her paintings are deftly carved from large swaths of it. She recently showed an exhibition of works that she calls “the pyramid paintings,” all of which are shaped like relaxing isosceles triangles. Although each painting lives within the same overall shape, Friedman positions their angles differently. She often works in series like these, wherein similar geometries separately thrive because decisive paint and gesture define and differentiate them from one another.

Into these large, sturdy, irregularly shaped pieces of paper, Friedman fully integrates intermittently collected and discreetly organized stuff. These items are not adhered to completed, painted surfaces; her works are not collages. Instead, lighting gel or a found doily is a necessary structural component of the entire plane on which any two paintings live.

Her organic sensations of color and brushwork thoroughly define these works as paintings. In many ways they are bare-faced; the artist’s hand and process is on full display. Underpainting, overpainting, note taking, fortifying, and erasing are all plainly legible amidst decisive color coordination.

Friedman takes nothing for granted, starting with her work’s substrates. Paper and all are situated in service to the sure-footed yet searching specifics of gesture and color theory in Friedman’s fresh approach to Abstraction. She deals with Abstraction in the originary sense; not merely as a description of non-figurative play, but Abstraction as the elusive search for a universal language to speak of the condition of experience.



Performance Proposal, Pathwork:
Wall (2022-2023)


Oil, Acrylic, Glassine, Water-Soluble Wax Pastel, Colored Pencil, Watercolor, Paper, Canvas, Linen, Collected Fabrics and Papers, Mylar, G, Graphite, Pastel, Foil, Gauche, Acrylic Mediums and PVA Size, Gudy, and Bookbinding Tape

181 x 68 x 1.5 in.| 459.74 x 172.72 x 3.81 cm.




Performance Proposal, Pathwork:
Threshold 2 (2023)


Paper, Pastels, Acrylic, Oil, Water-Soluble, Wax Pastel, Gouache, Canvas,
Charcoal, Collected Fabrics and Papers, Linen, Graphite, Colored Pencil,
Woodchips, Acrylic Mediums, and PVA size and Grommets

83.75 x 77.75 x 1.50 in.| 212.72 x 197.49 x 3.81 cm.


Performance Proposal, Pathwork:
Threshold 3 (2023)


Acrylic, Oil, Pastels, Paper, Gouache, Canvas, Charcoal, Collected Fabrics and Papers, Acrylic, Oil, Water-Soluble, Wax Pastel, Linen, Graphite, Colored Pencil, Woodchips, and PVA size and Grommets

83.75 x 77.75 x 1.50 in.| 212.72 x 197.49 x 3.81 cm.