sunsetting
André Magaña
Installation viewPRESS RELEASE
Works in the show make use of and respond to a series of now-obsolete technologies that I’ve been tasked to maintain in the past. As a function of my studio practice, these works are inscribed with countless hours invested into W2 and 1099 work that I’ve used to support myself as an artist living in New York. In lieu of metabolizing this time as time lost from the studio, I’ve invested in transposing it onto the studio (or vice versa).
The objects in the exhibition – they are in various states of disrepair. They’ve encountered a ceiling of functionality imposed by various factors; climate change, market falloff, overuse, etc. This exhibition collects varying instances in which I’ve encountered what I would call pre-obsolescence. This is another way of saying these technologies were ‘doomed to fail’. Together, they demonstrate a technological and material threshold that exposes the limits of Infinite Growth.
- A.M.

28¾ x 148¾ x 7¼ in. 72 x 378 x 18 cm
Two moderately weather damaged Samsung OH55F outdoor displays and one severely weather damaged Samsung OH55F outdoor display with custom mounts.

Three OH55ODMBs, 2026


details of Three OH55ODMBs, 2026


Browntint No. 7 (Bronx, K-Pop Demon Hunters), 2026
archival pigment print on cotton photo rag in walnut frame
45 1/8 x 36 x 1 1/2 in. (framed)
114.5 x 91.5 x 4 cm (gerahmt)

Browntint No. 7 (Bronx, K-Pop Demon Hunters), 2026, details


Browntint No. 6, 2026
archival pigment print on cotton photorag in walnut frame
28⅝ x 24⅝ x 1 in. (framed)
73 x 63 x 2.5 cm (gerahmt)

Browntint No. 6, 2026, details


Eiscreme, 2026
Discontinued Ott-Freezer soft serve ice cream machine owned by gallerists (purchased for commercial use)
56¾ x 25⅝ x 35 in.
144 x 65 x 89 cm


Eiscreme, 2026, details


Untitled Mirror Sculpture (Riley, Alan, Lucas), 2026
Three lululemon Studio mirrors (originally provided gratis as home office equipment to remote employees) recovered by the artist from former employees subject to mass layoffs, Birch Hexa, neoprene, hardware.
43⅞ x 64¾ x 23½ in.
112 x 165 x 60 cm


Untitled Mirror Sculpture (Riley, Alan, Lucas), 2026, details


Loan AA, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 7
Loan AB, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 36
Loan AC, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 10
Loan AD 1 of 2, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 32
Loan AD 2 of 2,2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 35
Loan AE 1 of 2, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 9
Loan AE 2 of 2, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 14
Loan AF, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 29
Loan AG, 2026
archival pigment print on Bristol
9 x 12 in. / 23 x 30.5 cm
edition of 4

