[Location & Hours]
178 Norfolk St.
New York, New York 10002
Tue - Sat 11:00am-6pm
WhatsApp
+41 76 506 48 08 
Instagram 
@gallerykendrajaynepatrick

[Artists]
QUALEASHA WOOD
ADA FRIEDMAN

[Current]
QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
New York City, 10002

[Forthcoming]
ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6-10, 2023 

*Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
New York City, 10002

[Past] 
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 7:
Do You Care Too Much?
Sep 8-Oct 21, 2023
Bern


SHARONA FRANKLIN @ Art Basel
Bouquet Solutions
Jun 13-18, 2023

DAVID-JEREMIAH @ EXPO Chicago
FOGA: Real Nigga Edition
Apr 13-16, 2023

ANDRÉ MAGAÑA
Riquísimo
Feb 10 - Mar 25, 2023

Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022
The Three Fates

ADA FRIEDMAN
Paintings in Pisces
Oct 7 - Dec 17, 2022
Bern

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 6:
OK, Computer
New York City:  Mar 4 - Apr 10, 2022
Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD @ Art Basel Miami Beach 2021


DAVID-JEREMIAH 
PLAY
Jan 15 - Mar 20, 2021
The Hamptons


ROSA MENKMAN @ Daata Miami 2020

QUALEASHA WOOD @ NADA Miami Beach 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
EPISODE 4:
Seating Chart for a Fall Dinner Party in a Pandemic

Sep 16 - Dec 31, 2020
Metro Pictures x Kendra Jayne Patrick Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 3:
“I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 

Jul 2020
KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020

JO SHANE
Sculptures: 1990 - Present
May 2 - Jun 1, 2019
New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG Four as One and Three
Sep
16 - Nov 4, 2018
New York City

Twenty-first Century Occupational Adjustments and Considerations: 
EPISODE 2:
One Liners

May 26 - Jun 17, 2018
The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 1:
Magnification
Jan 17 - Feb 28, 2018
New York City

KENYA (ROBINSON)
Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
New York City

[Press]
Gallery Press

[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland


















KENDRA JAYNE PATRICK
@ DAATA MIAMI BEACH
DECEMBER 1 –13, 2020

Visit our virtual booth here from 10am GMT December 1st

Presenting artist and professor Rosa Menkman's groundbreaking visual theorization of technological advancement

NEW YORK (November 2020)– For the second edition of Daata Fair, Kendra Jayne Patrick is thrilled to re-present Rosa Menkman’s groundbreaking visual theorization of a glitch, DCT:SYPHONING. The 1000000th (64th) Interval, 2016-2017.

Rosa Menkman
DCT: Syphoning. The 1000000th (64th) Interval, 2016-2017
Virtual Reality Application for Oculus Rift
With 3-channel Video Installation &
Single-channel Gameplay Video


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2018 we showed this phenomenal work in the gallery’s first group exhibition - hosted by Bortolami gallery - where the gesture of magnification was up for consideration alongside works by Ivan Argoté & Kenya (Robinson). 
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With DCT:SYPHONING. The 1000000th (64th) Interval, 2016-2017, Rosa Menkman makes a modern translation of the 1884 Edwin Abbott Abbott novella, "Flatland,” and explains some of the algorithms at work in digital image compression.
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Inspired by Syphon, an open source software by Tom Butterworth and Anton Marini, in “DCT:SYPHONING,” an anthropomorphised DCT (Senior) narrates its first SYPHON (data transfer) together with DCT Junior, and their interactions as they translate data from one image compression to a next (aka the “realms of complexity”).
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As Senior introduces Junior to the different levels of image plane complexity, they move from the macroblocks (the realm in which they normally resonate), to dither, lines, and the more complex realms of wavelets and vectors. Junior does not only react to old compressions technologies, but also the newer, more complex ones which ‘scare' Junior, because of their 'illegibility.'
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Every image plane environment is made in a 3D Unity Level, and per level, artefacts from another realm of compression form the textural basis of the chapter.


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DCT: Syphoning. The 1000000th Interval The (64th) Interval, 2016-2017
Virtual Reality Application for Oculus Rift
With 3-channel Video Installation &
Single-channel Gameplay Video
Edition: 2 of 3 + 2AP



ABOUT ROSA MENKMAN

Rosa Menkman (b. 1983, Arnhem, NL) focuses on noise artifacts that result from accidents in both analogue and digital media (such as glitch and encoding and feedback artifacts). She has exhibited at HAUS DER ELEKTRONISCHEN KÜNSTE BASEL (2017); THE SATELLITE ART SHOW PRESENTING ‘DIMODA’ (2016); THE CURRENT MUSEUM OF ART (2016); MINNESOTA STREET PROJECT (2016); the MOVING IMAGE ART FAIR (2015); TRANSFER gallery (2015).
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Menkman specializes in glitch art and resolution theory by investigating video compression, feedback, and glitches using her exploration to generate visual sensations. During this time of rogue algorithms, questionable political campaign narratives, and a paradigm-shifting global virus, Menkman’s experimental research into the atoms of digital images yields radical aesthetic forms that seem to suit these times.