[Location & Hours]

Schanzeneckstrasse 3, 3012 Bern Switzerland

By Appointment
Fri & Sat 11-17:30

WhatsApp for an appointment at
+41 76 506 48 08
DM for an appointment on Instagram @gallerykendrajaynepatrick

[Artists]

QUALEASHA WOOD
ADA FRIEDMAN

[Forthcoming]

SHARONA FRANKLIN @ Art Basel 
Jun 13-18, 2023

[Current]  



[Past] 

DAVID-JEREMIAH @ EXPO Chicago
Apr 13-16, 2023

ANDRÉ MAGAÑA
“Riquisimo”
Feb 10 - Mar 25, 2023


ADA FRIEDMAN
“Paintings in Pisces”
Oct 7 - Dec 17, 2022

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 6: OK, Computer”
New York:  March 4 - April 10, 2022
Basel: March 19 - April 26, 2022


DAVID-JEREMIAH 
“PLAY”
Jan 15 - Mar 20, 2021

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic” 
Sep 16 - Dec 31, 2020

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 3: ”I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
July 2020, KJP for YARD Magazine

JO SHANE
“Sculptures: 1990 - Present”
May 2 - Jun 1, 2019

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
“Four as One and Three”
Sep
16 - Nov 4, 2018

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 2: One Liners” 
May 26 - June 17, 2018

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 1: Magnification”
Jan 17 - Feb 28, 2018

KENYA (ROBINSON)
“Paper Rain for
Invocation Proclamation Manifesto 2 & 3”
Sep 28-30, 2017

[Art Fairs]

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022

QUALEASHA WOOD @ Art Basel Miami Beach 2021


QUALEASHA WOOD @ NADA Miami Beach 2020

ROSA MENKMAN @ Daata Miami 2020

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020

[Press]

Gallery Press

[Newsletter]

Newsletter Winter 2022
Newsletter Midsummer 2022
Newsletter Fall 2022
Newsletter Summer 2022
Newsletter Spring 2021
Newsletter Fall 2021
Newsletter Fall 2020

[About]

An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland


















KENDRA JAYNE PATRICK
@ DAATA MIAMI BEACH
DECEMBER 1 –13, 2020

Visit our virtual booth here from 10am GMT December 1st

Presenting artist and professor Rosa Menkman's groundbreaking visual theorization of technological advancement

NEW YORK (November 2020)– For the second edition of Daata Fair, Kendra Jayne Patrick is thrilled to re-present Rosa Menkman’s groundbreaking visual theorization of a glitch, DCT:SYPHONING. The 1000000th (64th) Interval, 2016-2017.

Rosa Menkman
DCT: Syphoning. The 1000000th (64th) Interval, 2016-2017
Virtual Reality Application for Oculus Rift
With 3-channel Video Installation &
Single-channel Gameplay Video


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2018 we showed this phenomenal work in the gallery’s first group exhibition - hosted by Bortolami gallery - where the gesture of magnification was up for consideration alongside works by Ivan Argoté & Kenya (Robinson). 
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With DCT:SYPHONING. The 1000000th (64th) Interval, 2016-2017, Rosa Menkman makes a modern translation of the 1884 Edwin Abbott Abbott novella, "Flatland,” and explains some of the algorithms at work in digital image compression.
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Inspired by Syphon, an open source software by Tom Butterworth and Anton Marini, in “DCT:SYPHONING,” an anthropomorphised DCT (Senior) narrates its first SYPHON (data transfer) together with DCT Junior, and their interactions as they translate data from one image compression to a next (aka the “realms of complexity”).
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As Senior introduces Junior to the different levels of image plane complexity, they move from the macroblocks (the realm in which they normally resonate), to dither, lines, and the more complex realms of wavelets and vectors. Junior does not only react to old compressions technologies, but also the newer, more complex ones which ‘scare' Junior, because of their 'illegibility.'
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Every image plane environment is made in a 3D Unity Level, and per level, artefacts from another realm of compression form the textural basis of the chapter.


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DCT: Syphoning. The 1000000th Interval The (64th) Interval, 2016-2017
Virtual Reality Application for Oculus Rift
With 3-channel Video Installation &
Single-channel Gameplay Video
Edition: 2 of 3 + 2AP



ABOUT ROSA MENKMAN

Rosa Menkman (b. 1983, Arnhem, NL) focuses on noise artifacts that result from accidents in both analogue and digital media (such as glitch and encoding and feedback artifacts). She has exhibited at HAUS DER ELEKTRONISCHEN KÜNSTE BASEL (2017); THE SATELLITE ART SHOW PRESENTING ‘DIMODA’ (2016); THE CURRENT MUSEUM OF ART (2016); MINNESOTA STREET PROJECT (2016); the MOVING IMAGE ART FAIR (2015); TRANSFER gallery (2015).
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Menkman specializes in glitch art and resolution theory by investigating video compression, feedback, and glitches using her exploration to generate visual sensations. During this time of rogue algorithms, questionable political campaign narratives, and a paradigm-shifting global virus, Menkman’s experimental research into the atoms of digital images yields radical aesthetic forms that seem to suit these times.