[Location & Hours]
178 Norfolk St.
New York, New York 10002
Tue - Sat 11:00am-6pm
WhatsApp
+41 76 506 48 08 
Instagram 
@gallerykendrajaynepatrick

[Artists]
QUALEASHA WOOD
ADA FRIEDMAN

[Current]
QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
New York City, 10002

[Forthcoming]
ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6-10, 2023 

*Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
New York City, 10002

[Past] 
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 7:
Do You Care Too Much?
Sep 8-Oct 21, 2023
Bern


SHARONA FRANKLIN @ Art Basel
Bouquet Solutions
Jun 13-18, 2023

DAVID-JEREMIAH @ EXPO Chicago
FOGA: Real Nigga Edition
Apr 13-16, 2023

ANDRÉ MAGAÑA
Riquísimo
Feb 10 - Mar 25, 2023

Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022
The Three Fates

ADA FRIEDMAN
Paintings in Pisces
Oct 7 - Dec 17, 2022
Bern

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 6:
OK, Computer
New York City:  Mar 4 - Apr 10, 2022
Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD @ Art Basel Miami Beach 2021


DAVID-JEREMIAH 
PLAY
Jan 15 - Mar 20, 2021
The Hamptons


ROSA MENKMAN @ Daata Miami 2020

QUALEASHA WOOD @ NADA Miami Beach 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
EPISODE 4:
Seating Chart for a Fall Dinner Party in a Pandemic

Sep 16 - Dec 31, 2020
Metro Pictures x Kendra Jayne Patrick Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 3:
“I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 

Jul 2020
KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020

JO SHANE
Sculptures: 1990 - Present
May 2 - Jun 1, 2019
New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG Four as One and Three
Sep
16 - Nov 4, 2018
New York City

Twenty-first Century Occupational Adjustments and Considerations: 
EPISODE 2:
One Liners

May 26 - Jun 17, 2018
The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 1:
Magnification
Jan 17 - Feb 28, 2018
New York City

KENYA (ROBINSON)
Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
New York City

[Press]
Gallery Press

[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland



















David-Jeremiah


PLAY



Presented January 15 - March 20,
2021 at Halsey McKay, East Hampton


(New York)- Kendra Jayne Patrick is pleased to open the 2021 season with an exhibition by Texas-native conceptual artist David-Jeremiah. PLAY showcases paintings belonging to a body of work called Hamborghini Rally: Soul Hunt City in which the artist uses the framework of his favorite sim racing video games to explore the anatomy of revenge.

The origin story anchoring the universe that is Soul Hunt City is a revenge killing that American news outlets called “The Deadliest Incident for Law Enforcement Since 9/11.” In July 2016, former Army carpenter Micah Xavier Johnson shot twelve and killed five Dallas police officers in response to the country’s unwillingness to prosecute police who murder black civilians. Although Johnson escaped the initial scene, he was later found barricaded in a building on a nearby college campus where police killed him by sending a bomb-diffusing robot with a remote control bomb to explode his hiding place. This was the first time in US history that law enforcement used a bomb-diffusing robot to kill someone.
The Hamborghini Rally begins, then, when Johnson’s (white; ‘91 Andrós) vengeance wills officers Zamarripa (red;‘83 Bikees), Ahrens (orange; ‘68 Semipro), Krol (yellow; ‘76 Correcto; (not yet with us at Soul Hunt City)), Smith (black; ‘60 Rangeri), and Thompson (blue; ‘72 Dartón) into racing one another to get their souls back from his possession.

The Lamborghini motif showing up in multiple bodies of Jeremiah’s work, here frames each character’s origin story. It is another intricate utilization of the names and colors of those models that the Italian automakers named after fighting bulls known to have either killed matadors in the ring or won enough coursings to earn their freedom. The paintings embody the accord of will, guts, and fear that Johnson’s brutal retaliation shares with the terror that the police f/k/a slave catcher a/k/a overseer class visits upon black people. Jeremiah estimates that the longer the officers spend in the potent exchange that is competing for Johnson’s approval, the more they’d bear many different kinds of resemblances to him. And Johnson, who spends his time in this universe mercilessly, indefinitely holding the officers hostage has himself been morphed by the residue of colonialist thinking. After all, what do we make of the fact that symbiosis is among revenge’s most important externalities? 






David-Jeremiah
Hamborghini Rally: Soul Hunt City (’72 Dartón), 2019 enamel, mixed media. manila rope, plastic, hand cuffs on wood panel38 x 23 inches || 96.5 x 58.4 centimeters











David-Jeremiah
Hamborghini Rally: Soul Hunt City (’83 Bikees), 2019
enamel, mixed media. manila rope, plastic, detached prison razor wire on wood panel
38 x 23 inches || 96.5 x 58.4 centimeters

















David-Jeremiah
Hamborghini Rally: Soul Hunt City (’68 Semipro), 2019 enamel, mixed media. manila rope, plastic, Lamborghini Hot Wheels™ on wood panel38 x 23 inches || 96.5 x 58.4 centimeters












David-Jeremiah
Hamborghini Rally: Soul Hunt City (’91 Andros), 2019 enamel, mixed media. manila rope, plastic, steel bar on wood panel
84 x 33 inches || 213.4 x 83.8 centimeters

















David-Jeremiah
Hamborghini Rally: Soul Hunt City (’60 Rangeri), 2019 enamel, mixed media. manila rope, plastic, bullet casings on wood panel
38 x 23 inches || 96.5 x 58.4 centimeters