Location & Hours

• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
12:00 - 18:00

Contacts

WhatsApp
• +41 76 506 48 08
Instagram
• @gallerykendrajaynepatrick
Email
• info@gallerykendrajaynepatrick.com

In The News

• Gallery Press

Artists

MANUELA MORALES DÉLANO
• ADA FRIEDMAN
CONSTANZA CAMILA KRAMER GARFIAS
ANDRÉ MAGAÑA
QUALEASHA WOOD

Current

CONSTANZA CAMILA KRAMER GARFIAS
backwards along the river
solo exhibition
• Bern
7. February - 29. March. 2025

Forthcoming

CONSTANZA CAMILA KRAMER GARFIAS
Textile Manifesto - From Bauhus to Soft Sculpture
group exhibition
Museum für Gestaltung
• Zürich
14. February - 13. July. 2025

ADA FRIEDMAN & CONSTANZA CAMILA KRAMER GARFIAS 
duo presentation
Independent Art Fair
• New York City
5-8. May. 2024

Past

TIMOTHY YANICK HUNTER
Solo Exhibition
Wavetable (Nine Night)
Bern
22. November 2024 - 1. February .2025


ADA FRIEDMAN, MANUELA MORALES DÉLANO, CONSTANZA CAMILA KRAMER GARFIAS, ANDRÉ MAGAÑA, EVA & FRANCO MATTES, ROBYN TSINNAJINNIE
The Salon
an invitational art fair by NADA & The Community
• Paris
17-20. October. 2024

EVA AND FRANCO MATTES
J8~g#|;Net. Art{-^s1
• Bern
31. May - 20. July.  2024

ADA FRIEDMAN 
A Suite of Five Paintings, Positions, Art Basel Miami Beach 2023
• Miami
8-10. December. 2023


QUALEASHA WOOD
Manic Pixie, Magical Negro
• New York City
10. November - 16. December. 2023

MANUELA MORALES DÉLANO
& ROBYN TSINNAJINNIE
Twenty-First Century Occupational Adjustments and Considerations,  EPISODE 7: Do You Care Too Much?
• Bern
8. September- 21. October, 2023

ANDRÉ MAGAÑA
Riquisimo
• Bern
10. February - 25. March, 2023


ADA FRIEDMAN
Paintings in Pisces
• Bern
7. October - 1.7 December, 2022


S. ALVAREZ, KÉVIN BRAY
PAOLO CIRI, JOSHUA CITARELL, JIBADE-KHALIL HUFFMAN, KAHLIL ROBERT IRVING, EVEREST PIPKIN, KHADIJAT YUSSUF

Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 6: OK, Computer
• New York City
4 March - April 10, 2022
• Basel
19. March - 26. April, 2022



DAVID-JEREMIAH
PLAY
• The Hamptons
15. January - 20. March, 2021


BAS JAN ADER, !MEDIENGRUPPE BITNIK, ANDRÉ BUTZER, HALIM FLOWERS, CAMILLE HENROT, SHAWNÉ MICHAELAIN HOLLOWAY, ISSAC JULIEN, MIKE KELLEY, LOUISE LAWLER, TREVOR PAGLEN, PAULINA OLOWSKA, JO SHANE, CINDY SHERMAN, ARDEN SURDAM, KENYA (ROBINSON), B. WURTZ, WICKERHAM & LOMAX
Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic
• GKJP X Metro Pictures
16. September - 31. December, 2020


CARDI B, CAITLIN CHERRY, KEZIA HARELL, KENYA (ROBINSON)
Twenty-First Century Occupational Adjustments And Considerations,   
EPISODE 3: ”I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
• An essay by KJP for, YARD Magazine, July 2020


JO SHANE
Sculptures: 1990 - Present
• New York City
2. May - 1. June, 2019


JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
Four as One and Three
• New York City
16. September - 4. November, 2018


PAUL MCMAHON, EILEEN ISAGON SKYERS, JEFFREY SONGCO Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 2: One Liners
• The Hamptons
26. May - 17. June, 2018


IVAN ARGOTÉ, ROSA MENKMAN, KENYA (ROBINSON)
Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 1Magnification
• New York City
18. January - 28. February, 2018


KENYA (ROBINSON)
Paper Rain for
Invocation Proclamation
Manifesto 2 & 3
 
• Gibney Dance Center
• New York City
28-30. September, 2017


Art Fairs

ADA FRIEDMAN
A Suite of Five Paintings
• Art Basel Miami Beach
6-10. December, 2023

ADA FRIEDMAN
The trailer to her forthcoming
• Art Basel Miami Beach 2023 presentation
10. November - 16. December, 2023


SHARONA FRANKLIN
Bouquet Solutions
• Art Basel
13-18. June, 2023

DAVID-JEREMIAH
FOGA: Real Nigga Edition
EXPO Chicago
13-16. April, 2023


TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS
The Three Fates
Art Basel Miami Beach 2022
1-4. December, 2022

QUALEASHA WOOD
A Suite of New Works
• Art Basel Miami Beach 2021

2-6. December, 2021

QUALEASHA WOOD
• NADA Miami Beach 2020
1-5. December, 2020

ROSA MENKMAN
• Daata Miami 2020

1-13. December, 2020

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM
• NADA presents “FAIR”
Inaugural Edition 2020

Newsletters

• Newsletter Summer 2023

• Newsletter Winter 2022
• Newsletter Fall 2021
• Newsletter Midsummer 2022
• Newsletter Summer 2022
• Newsletter Spring 2021
• Newsletter Fall 2021
• Newsletter Fall 2020

About

An itinerant art gallery in New York City, USA
permanent locaton in Bern, Switzerland


DAVID-JEREMIAH

PLAY
January 15 - March 20, 2021
Halsey McKay, East Hampton

CURRICULUM VITAE
REQUEST PREVIEW

PRESS RELEASE
(New York)- Kendra Jayne Patrick is pleased to open the 2021 season with an exhibition by Texas-native conceptual artist David-Jeremiah. PLAY showcases paintings belonging to a body of work called Hamborghini Rally: Soul Hunt City in which the artist uses the framework of his favorite sim racing video games to explore the anatomy of revenge.

The origin story anchoring the universe that is Soul Hunt City is a revenge killing that American news outlets called “The Deadliest Incident for Law Enforcement Since 9/11.” In July 2016, former Army carpenter Micah Xavier Johnson shot twelve and killed five Dallas police officers in response to the country’s unwillingness to prosecute police who murder black civilians. Although Johnson escaped the initial scene, he was later found barricaded in a building on a nearby college campus where police killed him by sending a bomb-diffusing robot with a remote control bomb to explode his hiding place. This was the first time in US history that law enforcement used a bomb-diffusing robot to kill someone.
The Hamborghini Rally begins, then, when Johnson’s (white; ‘91 Andrós) vengeance wills officers Zamarripa (red;‘83 Bikees), Ahrens (orange; ‘68 Semipro), Krol (yellow; ‘76 Correcto; (not yet with us at Soul Hunt City)), Smith (black; ‘60 Rangeri), and Thompson (blue; ‘72 Dartón) into racing one another to get their souls back from his possession.

The Lamborghini motif showing up in multiple bodies of Jeremiah’s work, here frames each character’s origin story. It is another intricate utilization of the names and colors of those models that the Italian automakers named after fighting bulls known to have either killed matadors in the ring or won enough coursings to earn their freedom. The paintings embody the accord of will, guts, and fear that Johnson’s brutal retaliation shares with the terror that the police f/k/a slave catcher a/k/a overseer class visits upon black people. Jeremiah estimates that the longer the officers spend in the potent exchange that is competing for Johnson’s approval, the more they’d bear many different kinds of resemblances to him. And Johnson, who spends his time in this universe mercilessly, indefinitely holding the officers hostage has himself been morphed by the residue of colonialist thinking. After all, what do we make of the fact that symbiosis is among revenge’s most important externalities? 






Hamborghini Rally: Soul Hunt City (’72 Dartón), 2019
enamel, mixed media. manila rope, plastic, hand cuffs on wood panel
38 x 23 inches
96.5 x 58.4 centimeters









Hamborghini Rally: Soul Hunt City (’83 Bikees), 2019
enamel, mixed media. manila rope, plastic, detached prison razor wire on wood panel
38 x 23 inches 
96.5 x 58.4 centimeters
















Hamborghini Rally: Soul Hunt City (’68 Semipro), 2019
38 x 23 inches
96.5 x 58.4 centimeters











Hamborghini Rally: Soul Hunt City (’91 Andros), 2019
enamel, mixed media. manila rope, plastic, steel bar on wood panel
84 x 33 inches
213.4 x 83.8 centimeters
















Hamborghini Rally: Soul Hunt City (’60 Rangeri), 2019
enamel, mixed media. manila rope, plastic, bullet casings on wood panel
38 x 23 inches
96.5 x 58.4 centimeters