Location & Hours

• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
12:00 - 18:00

Contacts

WhatsApp/SIGNAL
• +41 76 506 48 08 (we prefer the latter)
Instagram
• @gallerykendrajaynepatrick
Email
• info@gallerykendrajaynepatrick.com

What We Do


Artists

• MANUELA MORALES DÉLANO
• ADA FRIEDMAN
• CONSTANZA CAMILA KRAMER GARFIAS
• ANDRÉ MAGAÑA

Current

CONSTANZA CAMILA KRAMER GARFIAS
backwards along the river
solo exhibition
• Bern
7. February - 29. March. 2025

Forthcoming

ADA FRIEDMAN & CONSTANZA CAMILA KRAMER GARFIAS
duo presentation
Independent Art Fair
• New York City
5-8. May. 2025

MANUELA MORALES DÉLANO
solo exhibition
• Bern
24. May - 5. July. 2025

Orbital

ADA FRIEDMAN
A CLEAN WELL-LIGHTED SPACE → An homage to Dave Hickey
Nature of Things
Dallas
opens 10. April 2025

ANDRÉ MAGAÑA
Y LAS ENTRAÑAS GRITARON
group exhibition
Guadalajara 90210
Mexico City
opens 29. March 2025

CONSTANZA CAMILA KRAMER GARFIAS
Textile Manifesto - From Bauhus to Soft Sculpture
group exhibition
Museum für Gestaltung
• Zürich
14. February - 13. July. 2025


In The News


Past Exhibitions


Art Fairs


Newsletters


KENDRA JAYNE PATRICK
NADA MIAMI BEACH (in New York)
PRESENTING A SOLO SUITE OF NEW TUFTINGS BY QUALEASHA WOOD
 DELI GALLERY
DECEMBER 1–5, 2020


CURRICULUM VITAE
REQUEST PREVIEW
Kendra Jayne Patrick is pleased to debut Qualeasha Wood’s newest works for NADA Miami Beach (in New York) 2020, high-contrast tufted wool and acrylic pieces that continue the artist’s thoughts about the relationship between the avatar and the self. Here, Wood composes her ideas on the subject by means more manual and personal than the ones she uses to make her seminal tapestry works.

While the tapestries are weaved by a powerful machine and depict social media-esque self portraits of the artist that are hundreds of Photoshop layers deep, Wood applies each individual thread to the tufted works by hand. The result of such a physical, analog process (underlined by the fact that the larger works are taller than Wood herself, who is quite petite) is a depiction of a less literal self and a more literal interpretation of blackness-as-experience. Evocative of MS Paint doodles, Betye Saar’s, “Black Girl’s Window,” DIY Pinterest, and Ebecho Muslimova’s “Fatebe” drawings, these works feel like the young artist’s most personal field notes on an endlessly disquieting year.



The Itis, 2020
Tufted wool and acrylic
30 x 30 inches 
76 x 76 centimeters


 


Meek Mill’s Dreams and Nightmares, 2020
Tufted wool and acrylic 
30 x 30 inches
76 x 76 centimeters



Float, Sink, Drown, 2020
Tufted wool and acrylic 
76 x 61 inches || 193 x 155 centimeters


After Dark, 2020
Tufted wool and acrylic 
58 x 48 inches
147 x 122 centimeters


_______ in the Big Blue House, 2019
Tufted wool and acrylic 
58 x 48 inches || 147 x 122 centimeters




Untitled study, 2020
Tufted wool and acrylic 
24 x 24 inches 
61 x 61 centimeters