[Location & Hours]
• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
11:00- 17:30
• WhatsApp
41 76 506 48 08
• Instagram
@gallerykendrajaynepatrick

[Artists]
• QUALEASHA WOOD
• ADA FRIEDMAN

[Press]
Gallery Press

[Current]
David-Jeremiah
I Drive Thee
Solo Exhibition
The Clark Institute
10 February 2024
- 26 January 26 2025

Qualeasha Wood
GIANTS: Art from the Dean Collection of Swizz Beatz and Alicia Keys
Group Exhibition
• The Brooklyn Museum
10 February 2024
- 7 July 2024

[Forthcoming]
Eva & Franco Mattes
Solo Exhibition
• Bern

Qualeasha Wood
Solo Exhibition
• Harvey B. Gantt Center for African-American Arts + Culture
OPENING May 24, 2024


Manuela Morales Délano
Solo Exhibition
• Basel

Constanza Camila Kramer Garfias
Solo Exhibition
• Bern

[Past] 
• Bern Gallery Weekend
Saturday 13th & Sunday 14th January, 2024
• We will also be open on Friday 12th January
• 11:00 - 19:00
[Presenting]
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7: Do You Care Too Much?

• Bern

ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6 - 10, 2023

• Miami Beach

QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002

ADA FRIEDMAN
• Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002


MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE •
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7:
Do You Care Too Much?
Sep 8 - Oct 21, 2023
• Bern


SHARONA FRANKLIN @ Art Basel
• Bouquet Solutions
Jun 13 - 18, 2023
• Basel

DAVID-JEREMIAH @ EXPO Chicago
• FOGA: Real Nigga Edition
Apr 13 - 16, 2023
• Chicago

ANDRÉ MAGAÑA
• Riquísimo
Feb 10 - Mar 25, 2023
• Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @Art Basel Miami Beach, 2022
• The Three Fates
Nov 29 - Dec 4, 2022
• Miami Beach

ADA FRIEDMAN
• Paintings in Pisces
Oct 7 - Dec 17, 2022
• Bern

• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 6: OK, Computer
• New York City: Mar 4 - Apr 10, 2022
• Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD

• A Suite of New Works
November 28 - December 2, 2021
• Art Basel Miami Beach


DAVID-JEREMIAH 
• PLAY
Jan 15 - Mar 20, 2021
• The Hamptons


• ROSA MENKMAN @ Daata Miami 2020 (Online)

• QUALEASHA WOOD @ NADA Miami Beach (in New York), 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
• EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic
Sep 16 - Dec 31, 2020
• Metro Pictures x Kendra Jayne Patrick, Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 3: “I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
Jul 2020
• KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020 (Online)
• May 20 - Jun 21, 2020

JO SHANE
• Sculptures: 1990 - Present
May 2 - Jun 1, 2019
• New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
• Four as One and Three
Sep 16 - Nov 4, 2018
• New York City

Twenty-first Century Occupational Adjustments and Considerations: 
• EPISODE 2: One Liners
May 26 - Jun 17, 2018
• The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 1: Magnification
Jan 17 - Feb 28, 2018
• New York City

KENYA (ROBINSON)
• Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
• New York City



[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
A gallery in Bern, Switzerland with an itinerant arm in New York City. 



















NADA Presents “FAIR” || Week 1: Failed State Redux w/ Jo Shane (1991)


Post-minimal strategies applied to mainstream consumer products portray a woefully mismanaged AIDS crisis.




Jo Shane
President’s Choice [This is a P.C. Product], 1991
President’s Choice brand toilet paper, shrink wrap, photographs, wood pallet
40 x 40 x 59 inches || 101 x 101 x 150 centimeters

















This work was created in response to the Reagan Administration’s complete dismissal of the 1980’s AIDS Crisis. The work, a post-minimalist cube composed of “President’s Choice” brand toilet paper rolls, features portraits of loved ones and celebrities that died of AIDS during Ronald Reagan’s eight-year presidency. This work figured prominently in From Media To Metaphor: Art About AIDS, Thomas W. Sokolowski and Robert Atkins’ seminal touring exhibition.





From the catalogue for From Media To Metaphor: Art About AIDS:

“Jo Shane’s straightforward evocation of the apparent disposability of homosexual, non white, or drug using PWAs combines portraits of deceased PWAs and the aptly named ‘President’s’ Choice’ brand toilet paper. President Reagan did not mention the word, ‘AIDS’ in public until 1988.”


Critics like Roberta Smith at The New York Times, and Elizabeth Hess for The Village Voice praised Shane’s contribution to this traveling, institutional show, which became one of the most important American art exhibitions regarding the AIDS crisis. Throughout the decade, other works in Shane’s catalogue of slyly feminist, post-minimal sculpture received high critical praise from John Russell at the New York Times; Peter Frank at ARTnews; Cookie Mueller for Details magazine; Marc Balet/Robert Becker for Interview magazine, among others.


Select solo exhibitions include those at Kendra Jayne Patrick, New York, NY; Hal Bromm, New York, NY; and Artmart, New York, NY. Select group exhibitions include those at Neue Geschellshaft Kunst, Berlin, DE; Grey Art Gallery, New York, NY; Barbara Gladstone, New York, NY; Artist’s  Space, New York, NY; SPRING/BREAK Art Show, Los Angeles, CA; PUBLIC Art, New York, NY;  Patrick Fox Gallery, New York; Holly Solomon Gallery, New York, NY; Artmart, New York, NY; Nature Morte Gallery, New York, NY; White Columns, New York, NY. She completed the The Whitney Independent Study Program in 1975, and holds a B.A. from Carnegie Mellon, a BFA from Pratt Institute.