[Location & Hours]
Schanzeneckstrasse 3, 3012 Bern Switzerland
Fri & Sat 11:00-17:30
For an appointment:
WhatsApp
+41 76 506 48 08
Instagram @gallerykendrajaynepatrick


[Current]
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 7:
Do You Care Too Much?
Sep 8-Oct 21, 2023
Bern

[Artists]
QUALEASHA WOOD
ADA FRIEDMAN

[Forthcoming]
QUALEASHA WOOD
Nov-Dec, 2023
New York City

ADA FRIEDMAN
@ Art Basel Miami Beach 
Dec 6-10, 2023


[Past] 
SHARONA FRANKLIN @ Art Basel
Jun 13-18, 2023

DAVID-JEREMIAH @ EXPO Chicago
Apr 13-16, 2023

ANDRÉ MAGAÑA
“Riquísimo”
Feb 10 - Mar 25, 2023

Bern

ADA FRIEDMAN
Paintings in Pisces
Oct 7 - Dec 17, 2022
Bern

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 6:
OK, Computer
New York City:  Mar 4 - Apr 10, 2022
Basel: Mar 19 - Apr 26, 2022


DAVID-JEREMIAH 
PLAY
Jan 15 - Mar 20, 2021
The Hamptons

Twenty-first Century Occupatioinal Adjustments and Considerations:
EPISODE 4:
Seating Chart for a Fall Dinner Party in a Pandemic

Sep 16 - Dec 31, 2020
Metro Pictures x Gallery Kendra Jayne Patrick Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 3:
I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 

Jul 2020
KJP for YARD Magazine

JO SHANE
Sculptures: 1990 - Present
May 2 - Jun 1, 2019
New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG Four as One and Three
Sep
16 - Nov 4, 2018
New York City

Twenty-first Century Occupational Adjustments and Considerations: 
EPISODE 2:
One Liners

May 26 - Jun 17, 2018
The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 1:
Magnification
Jan 17 - Feb 28, 2018
New York City

KENYA (ROBINSON)
Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
New York City

[Art Fairs]

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022

QUALEASHA WOOD @ Art Basel Miami Beach 2021


QUALEASHA WOOD @ NADA Miami Beach 2020

ROSA MENKMAN @ Daata Miami 2020

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020

[Press]
Gallery Press

[Seasonal Newsletters] Summer 2023
Winter 2022
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland





















NADA Presents “FAIR” || Week 2: God Is a Young Hot Ebony and She’s on The Internet w/ Qualeasha Wood (2020)


Digital and analog timelines merge at unexpected formal junctures.







Qualeasha Wood
See God in the Mirror [Pt.2], 2020
Digital transfer on jacquard, glass beads
71 x 54 inches || 180 x 138 centimeters


Qualeasha Wood
See God in the Mirror [Pt.2], 2020 (detail)
Digital transfer on jacquard, glass beads
71 x 54 inches || 180 x 138 centimeters



Qualeasha Wood comes of age in a cultural landscape wherein social media has moved black femme vernacular from the margins to the center of mainstream fashion and corporeal aesthetics. See God in the Mirror [Pt.2], (2020) belongs to a series of tapestries embedding  Medieval Catholic iconography in native digital composition strategies. Her work is striking because it suggests that Wood has chosen to skip the accompanying lament that might consume an artist a generation older than she, and instead use this new reality as prima materia on which to pivot towards something new. After all: getting paid is the new Black, right?




Qualeasha Wood
Love and Basketball, 2019
Jacquard weave, metal, glitter
54 x 71 inches || 138 x 180 centimeters



Qualeasha Wood
No Church in the Wild, 2019
Jacquard weave, glass beads
71 x 54 inches || 180 x 138 centimeters



Qualeasha Wood (b. 1996, Long Branch, NJ) holds a BFA in printmaking from the Rhode Island School of Design, Providence, RI. Her work spans sculptural, textile, and digital media and suggests realities around living in the black female body that do and might exist. Wood uses this range of materials to create intricate dialogues across time and novel perspectives on the subject. She has exhibited in group and solo exhibitions at Cooper Cole, Toronto, ON; New Image Art, Los Angeles, CA; Gluon Gallery, Milwaukee, WI; Rhode Island School of Design's  Woods Gerry Gallery, RISD Exposé Gallery, and Benson Hall Gallery, Providence, RI. Qualeasha Wood lives and works in Rhode Island, USA.







Qualeasha Wood
I’m Tired (of your bullshit), You Tired (of me complaining), (I) Jesus Wept, 2019
Jacquard weave, glass beads
54 x 71 inches || 138 x 180 centimeters