[Location & Hours]
178 Norfolk St.
New York, New York 10002
Tue - Sat 11:00am-6pm
WhatsApp
+41 76 506 48 08 
Instagram 
@gallerykendrajaynepatrick

[Artists]
QUALEASHA WOOD
ADA FRIEDMAN

[Current]
QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
New York City, 10002

[Forthcoming]
ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6-10, 2023 

*Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
New York City, 10002

[Past] 
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 7:
Do You Care Too Much?
Sep 8-Oct 21, 2023
Bern


SHARONA FRANKLIN @ Art Basel
Bouquet Solutions
Jun 13-18, 2023

DAVID-JEREMIAH @ EXPO Chicago
FOGA: Real Nigga Edition
Apr 13-16, 2023

ANDRÉ MAGAÑA
Riquísimo
Feb 10 - Mar 25, 2023

Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022
The Three Fates

ADA FRIEDMAN
Paintings in Pisces
Oct 7 - Dec 17, 2022
Bern

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 6:
OK, Computer
New York City:  Mar 4 - Apr 10, 2022
Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD @ Art Basel Miami Beach 2021


DAVID-JEREMIAH 
PLAY
Jan 15 - Mar 20, 2021
The Hamptons


ROSA MENKMAN @ Daata Miami 2020

QUALEASHA WOOD @ NADA Miami Beach 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
EPISODE 4:
Seating Chart for a Fall Dinner Party in a Pandemic

Sep 16 - Dec 31, 2020
Metro Pictures x Kendra Jayne Patrick Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 3:
“I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 

Jul 2020
KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020

JO SHANE
Sculptures: 1990 - Present
May 2 - Jun 1, 2019
New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG Four as One and Three
Sep
16 - Nov 4, 2018
New York City

Twenty-first Century Occupational Adjustments and Considerations: 
EPISODE 2:
One Liners

May 26 - Jun 17, 2018
The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
EPISODE 1:
Magnification
Jan 17 - Feb 28, 2018
New York City

KENYA (ROBINSON)
Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
New York City

[Press]
Gallery Press

[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland


















NADA Presents “FAIR” || Week 3: Art Comes True w/ Mediengruppe Bitnik (2012)


Wherein hacking technological, cultural, and legal systems illuminates gray areas and new questions.




!Mediengruppe Bitnik
Surveillance Chess, 2012
One-channel video installation with performance suitcase,
7 minute runtime; edition of 3/5 (+1 AP)



!Mediengruppe Bitnik
Surveillance Chess, 2012
Still
7 minute runtime
Edition of 3/5 (+1 AP)




Surveillance Chess is an art performance for a single recipient: the CCTV operator in his control room. On the eve of the 2012 Olympics in London, Swiss artist duo !Mediengruppe Bitnik assumed control of a random tube station’s CCTV surveillance system.

Using an interfacing transmitter they replace real-time surveillance images on the CCTV operator’s monitor with a real-time digital Chess board.  Simultaneously, a voice blares from the station loudspeakers saying, “I control your surveillance camera now. I am the one with the yellow suitcase. How about a game of chess?,” “You are white. I am black. Call me or text me to make your move. This is my number: 07582460851.



The security staff's surveillance monitor became a game console and the invitation to play chess makes it clear that the unfriendly takeover is intended to be friendly. The one-directional surveillance system suddenly becomes a communication channel, and the game establishes an equality between observer and observed.






!Mediengruppe Bitnik are artists Carmen Weisskopf and Domagoj Smoljo, a duo working on, and with, the Internet. Works bleed between digital and physical spaces, intentionally applying loss-of-control elements in order to challenge established social structures and mechanisms. In the past they have been known to bug an opera house to broadcast its performances to the public, send a parcel containing a camera to Julian Assange at the Ecuadorian embassy in London, and physically glitch a building.In 2014, they sent a bot called Random Darknet Shopper on a three-month shopping spree and had sent directly to the gallery space fraudulent utility bills, passports, Ecstasy, and the like. !Mediengruppe Bitnik’s works formulate fundamental questions concerning contemporary issues surrounding our collective relationship to the digital.



Their works are shown at internationally renowned institutions like the Kunsthaus Zurich, Zurich, CH; Nam June Paik Art Center, Yongin, KR, House of Electronic Arts Basel, Basel, CH; Fondazione Prada Milano, Milan, IT; Centre Culturel Suisse Paris, Paris, FR; Beijing Contemporary Art Biennial, The Pushkin Museum of Fine Arts Moscow, Moscow, RU; Kunst Halle St. Gallen, St. Gallen, CH; MAAT - Museum of Art, Architecture and Technology, Lisbon, PT; Eigen + Art Lab, Berlin, DE; Palais de Tokyo, Paris, FR. They’ve won many significant art awards including the Swiss Art Award, PAX Art Award, Prix de la Société des Arts Genève, Migros New Media Jubilee Award, Golden Cube Dokfest Kassel, and Honorary Mention Prix Ars Electronica.