Location & Hours

• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Thursday - Saturday
12:00 - 18:00

Contacts

• WhatsApp
+41 76 506 48 08
• Instagram
gallerykendrajaynepatrick
• Email info@gallerykendrajaynepatrick.com

In The News

• Gallery Press

Artists

MANUELA MORALES DÉLANO
• ADA FRIEDMAN
CONSTANZA CAMILA KRAMER GARFIAS
ANDRÉ MAGAÑA
QUALEASHA WOOD

Current

TIMOTHY YANICK HUNTER
Solo Exhibition
Wavetable (Nine Night)
Bern
22 November 2024

Forthcoming

CONSTANZA CAMILA KRAMER GARFIAS
Solo Exhibition
• Bern
February 2025

Past

ADA FRIEDMAN, MANUELA MORALES DÉLANO, CONSTANZA CAMILA KRAMER GARFIAS, ANDRÉ MAGAÑA, EVA & FRANCO MATTES, ROBYN TSINNAJINNIE
The Salon
an invitational art fair by NADA & The Community
• Paris
17-20 October 2024

EVA AND FRANCO MATTES
J8~g#|;Net. Art{-^s1
• Bern
31 May - 20 July, 2024

• Bern Gallery Weekend
Saturday 13th & Sunday 14th January, 2024
Presenting
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE
Twenty-first Century Occupational Adjustments and Considerations
EPISODE 7:
Do You Care Too Much?
8 September - 21 October, 2023
• Bern
 

QUALEASHA WOOD
Manic Pixie, Magical Negro
10 November - 16 December, 2023
• New York City

MANUELA MORALES DÉLANO
& ROBYN TSINNAJINNIE
Twenty-First Century Occupational Adjustments and Considerations,  EPISODE 7: Do You Care Too Much?
8 September- 21 October, 2023
• Bern

ANDRÉ MAGAÑA
Riquisimo
10 February - 25 March, 2023
• Bern


ADA FRIEDMAN
Paintings in Pisces
7 October - 17 December, 2022
• Bern


S. ALVAREZ, KÉVIN BRAY
PAOLO CIRI, JOSHUA CITARELL, JIBADE-KHALIL HUFFMAN, KAHLIL ROBERT IRVING, EVEREST PIPKIN, KHADIJAT YUSSUF

Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 6: OK, Computer
• New York City
4 March - April 10, 2022
• Basel
19 March - 26 April, 2022


DAVID-JEREMIAH
PLAY
15 January - 20 March, 2021
• The Hamptons

BAS JAN ADER, !MEDIENGRUPPE BITNIK, ANDRÉ BUTZER, HALIM FLOWERS, CAMILLE HENROT, SHAWNÉ MICHAELAIN HOLLOWAY, ISSAC JULIEN, MIKE KELLEY, LOUISE LAWLER, TREVOR PAGLEN, PAULINA OLOWSKA, JO SHANE, CINDY SHERMAN, ARDEN SURDAM, KENYA (ROBINSON), B. WURTZ, WICKERHAM & LOMAXTwenty-First Century Occupational Adjustments And Considerations,
EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic
16 Septmber - 31 December, 2020
• GKJP X Metro Pictures

CARDI B, CAITLIN CHERRY, KEZIA HARELL, KENYA (ROBINSON)
Twenty-First Century Occupational Adjustments And Considerations,   
EPISODE 3: ”I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
• An essay by KJP for, YARD Magazine, July 2020

JO SHANE
Sculptures: 1990 - Present
2 May - 1 June, 2019
• New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
Four as One and Three
16 September - 4 November, 2018
• New York City


PAUL MCMAHON, EILEEN ISAGON SKYERS, JEFFREY SONGCO Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 2: One Liners
26 May - 17 June, 2018
• The Hamptons

IVAN ARGOTÉ, ROSA MENKMAN, KENYA (ROBINSON)
Twenty-First Century Occupational Adjustments And Considerations,
EPISODE 1Magnification
18 January - 28 February, 2018
• New York City


KENYA (ROBINSON)
Paper Rain for
Invocation Proclamation
Manifesto 2 & 3
 
• Gibney Dance Center
28-30 September, 2017
• New York City


Art Fairs

ADA FRIEDMAN
A Suite of Five Paintings
• Art Basel Miami Beach 6-10 December, 2023

ADA FRIEDMAN
The trailer to her forthcoming
• Art Basel Miami Beach 2023 presentation
10 November - 16 December, 2023


SHARONA FRANKLIN
Bouquet Solutions
• Art Basel
13-18 June, 2023

DAVID-JEREMIAH
FOGA: Real Nigga Edition
EXPO Chicago
13-16 April, 2023


TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS
The Three Fates
Art Basel Miami Beach 2022
1-4 December, 2022

QUALEASHA WOOD
A Suite of New Works
• Art Basel Miami Beach 2021

2-6 December, 2021

QUALEASHA WOOD
• NADA Miami Beach 2020
1-5 December, 2020

ROSA MENKMAN
• Daata Miami 2020
1-13 December, 2020

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM
• NADA presents “FAIR”
Inaugural Edition 2020

Newsletters

• Newsletter Summer 2023

• Newsletter Winter 2022
• Newsletter Fall 2021
• Newsletter Midsummer 2022
• Newsletter Summer 2022
• Newsletter Spring 2021
• Newsletter Fall 2021
• Newsletter Fall 2020

About

An itinerant art gallery in New York City, USA
permanent locaton in Bern, Switzerland

NADA Presents “FAIR” Week 4:
Unnatural Processes w/ Arden Surdam
(2019) 


Traditional art-making methodologies meet an aesthetic culture saturated in perfect digital images.




Arden Surdam
Picnic, 2019
Archival inkjet print
30 x 40 inches || 76 x 102 centimeters
Edition: 2/2 of (+1AP)





Arden Surdam
Picnic, 2019
Archival inkjet print
30 x 40 inches || 76 x 102 centimeters


In Picnic, Arden Surdam explores the variable value of food in society, informed by her Turkish heritage and New York City upbringing. An animal part considered delectable in one century might become repugnant in the next. It’s a fluctuating system of likes and dislikes that has become a focal point of the past year of her practice, and relevant in a time when our relationship to the ideas & realities about American abundance are in flux.





Arden Surdam
Donut Tank, 2019
Acrylic, flexible tubing, glass, LEDs, and spirulina (algae)
24 × 24 × 1 inches || 61 × 61 × 2.5 centimeters



Biological processes that look licentious in Surdam’s photographs take on a mathematic sensuality in her sculptural work. Pictured here is “Donut Tank,” (2019), a sculpture getting its color from hundreds of thousands of tiny algae living inside of it. The thin, transparent ring shape ensures that the algae experience similar rates of photosynthesis, and the work’s color changes brilliantly as the aquatic plants eat, breathe, and live.










Arden Surdam
Charcuterie, 2019
Archival Inkjet Print
4 x 6 inches || 10 x 15 centimeters
Edition: 2/2 + 1AP



Inspired by the canonical images of Soutine, Bacon, and Chardin, Surdam experiments with the aesthetics of biological processes within the tradition of nature morte compositions and food styling in 70s-era American international cookbooks. Like her predecessors, she gives a certain dignity to materials in varying stages of decay with her intuitive, thoughtful staging. But here, the process of finding, assembling, combining, and conserving these materials yields so many unknowns as to create a complex relationship between compositional sensuality and the sensory experience of the rapidly-evolving sights and scents of natural matter.




Arden Surdam
Shelf Spill, 2020
Archival Inkjet Print
12  x 18 inches ||  30 x 46 centimeters
Edition: 1/2 + 1 AP




Arden Surdam
Fish Descending I, 2019
Archival Inkjet Print
12 x 18 inches || 30 x 46 centimeters
Edition: 1/2 + 1 AP
 



Surdam received her BA in Environmental Studies & Visual Arts at Oberlin College and her MFA from California Institute of the Arts. She has presented solo exhibitions at Offal EAST in Montauk, New York; ABXY, New York, NY; Galveston Artist Residency, Galveston, Texas; College of the Canyons, Santa Clarita, CA; SLOAN Projects, Los Angeles, CA; The Situation Room, Los Angeles, CA; Photo Basel, Switzerland.

She has presented in group exhibitions at The Institute for Art & Olfaction, Los Angeles, CA; Lucie Foundation, Los Angeles, CA; Arturo Bandini, Los Angeles, CA; Art Center College of Design, Pasadena, CA; SLOAN Projects, Los Angeles, CA; Photo LA, 25th Annual International Photographic Exposition, Los Angeles, CA; Studio Cooking in collaboration with Meghan Gordon, Armory Center for the Arts, Pasadena, CA; UCLA Wight Biennial, Los Angeles, CA

















Arden Surdam
Moonfish, 2016
Moonfish, Black Inkodye, Egg, Beeswax, Olive Oil
16 x 18 || 41 x 46 centimeters

Arden Surdam
The Poetic Life of the Lowly Eel, 2016
Eel, Smokey Quartz Photo Oil, Jade Green Photo Oil, Beeswax, Coffee, Eggs, Van Dyke Brown, Olive Oil
24 x 36 inches || 61 x  91 centimeters

Arden Surdam
Solid Liquid, 2016
Squid, Egg, Cyanotype, Tanzanite Blue Photo Oil, Coffee, Beeswax, Olive Oil
30 x 30 inches || 76 x 76 centimeters

Arden Surdam
8 Pairs of Arms, 2016
Large Octopuses, Catfish Head, Cyanotype, Beryl Yellow Photo Oil, Fire Opal Orange Photo Oil, Bleach, Hydrogen Peroxide, Beeswax, Quail Egg, Olive Oil
36 x 46 inches || 91 x 117 centimeters