[Location & Hours]
• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
11:00- 17:30
• WhatsApp
41 76 506 48 08
• Instagram
@gallerykendrajaynepatrick

[Artists]
• QUALEASHA WOOD
• ADA FRIEDMAN

[Press]
Gallery Press

[Current]
Qualeasha Wood
Solo Exhibition
• Harvey B. Gantt Center for African-American Arts + Culture
OPENING May 24, 2024


David-Jeremiah
I Drive Thee
Solo Exhibition
The Clark Institute
10 February 2024
- 26 January 26 2025

Qualeasha Wood
GIANTS: Art from the Dean Collection of Swizz Beatz and Alicia Keys
Group Exhibition
• The Brooklyn Museum
10 February 2024
- 7 July 2024

[Forthcoming]
Eva & Franco Mattes
Solo Exhibition
• Bern
OPENING May 31, 2024
Schanzeneckstrasse 3
3012 Bern, Switzerland
18:00-late

Manuela Morales Délano
Solo Exhibition
• Basel

Constanza Camila Kramer Garfias
Solo Exhibition
• Bern

[Past] 
• Bern Gallery Weekend
Saturday 13th & Sunday 14th January, 2024
• We will also be open on Friday 12th January
• 11:00 - 19:00
[Presenting]
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7: Do You Care Too Much?

• Bern

ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6 - 10, 2023

• Miami Beach

QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002

ADA FRIEDMAN
• Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002


MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE •
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7:
Do You Care Too Much?
Sep 8 - Oct 21, 2023
• Bern


SHARONA FRANKLIN @ Art Basel
• Bouquet Solutions
Jun 13 - 18, 2023
• Basel

DAVID-JEREMIAH @ EXPO Chicago
• FOGA: Real Nigga Edition
Apr 13 - 16, 2023
• Chicago

ANDRÉ MAGAÑA
• Riquísimo
Feb 10 - Mar 25, 2023
• Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @Art Basel Miami Beach, 2022
• The Three Fates
Nov 29 - Dec 4, 2022
• Miami Beach

ADA FRIEDMAN
• Paintings in Pisces
Oct 7 - Dec 17, 2022
• Bern

• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 6: OK, Computer
• New York City: Mar 4 - Apr 10, 2022
• Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD

• A Suite of New Works
November 28 - December 2, 2021
• Art Basel Miami Beach


DAVID-JEREMIAH 
• PLAY
Jan 15 - Mar 20, 2021
• The Hamptons


• ROSA MENKMAN @ Daata Miami 2020 (Online)

• QUALEASHA WOOD @ NADA Miami Beach (in New York), 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
• EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic
Sep 16 - Dec 31, 2020
• Metro Pictures x Kendra Jayne Patrick, Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 3: “I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
Jul 2020
• KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020 (Online)
• May 20 - Jun 21, 2020

JO SHANE
• Sculptures: 1990 - Present
May 2 - Jun 1, 2019
• New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
• Four as One and Three
Sep 16 - Nov 4, 2018
• New York City

Twenty-first Century Occupational Adjustments and Considerations: 
• EPISODE 2: One Liners
May 26 - Jun 17, 2018
• The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 1: Magnification
Jan 17 - Feb 28, 2018
• New York City

KENYA (ROBINSON)
• Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
• New York City



[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
A gallery in Bern, Switzerland with an itinerant arm in New York City. 


















NADA Presents “FAIR” || Week 4: Unnatural Processes w/ Arden Surdam (2019) 



Traditional art-making methodologies meet an aesthetic culture saturated in perfect digital images.




Arden Surdam
Picnic, 2019
Archival inkjet print
30 x 40 inches || 76 x 102 centimeters
Edition: 2/2 of (+1AP)





Arden Surdam
Picnic, 2019
Archival inkjet print
30 x 40 inches || 76 x 102 centimeters


In Picnic, Arden Surdam explores the variable value of food in society, informed by her Turkish heritage and New York City upbringing. An animal part considered delectable in one century might become repugnant in the next. It’s a fluctuating system of likes and dislikes that has become a focal point of the past year of her practice, and relevant in a time when our relationship to the ideas & realities about American abundance are in flux.





Arden Surdam
Donut Tank, 2019
Acrylic, flexible tubing, glass, LEDs, and spirulina (algae)
24 × 24 × 1 inches || 61 × 61 × 2.5 centimeters



Biological processes that look licentious in Surdam’s photographs take on a mathematic sensuality in her sculptural work. Pictured here is “Donut Tank,” (2019), a sculpture getting its color from hundreds of thousands of tiny algae living inside of it. The thin, transparent ring shape ensures that the algae experience similar rates of photosynthesis, and the work’s color changes brilliantly as the aquatic plants eat, breathe, and live.










Arden Surdam
Charcuterie, 2019
Archival Inkjet Print
4 x 6 inches || 10 x 15 centimeters
Edition: 2/2 + 1AP



Inspired by the canonical images of Soutine, Bacon, and Chardin, Surdam experiments with the aesthetics of biological processes within the tradition of nature morte compositions and food styling in 70s-era American international cookbooks. Like her predecessors, she gives a certain dignity to materials in varying stages of decay with her intuitive, thoughtful staging. But here, the process of finding, assembling, combining, and conserving these materials yields so many unknowns as to create a complex relationship between compositional sensuality and the sensory experience of the rapidly-evolving sights and scents of natural matter.




Arden Surdam
Shelf Spill, 2020
Archival Inkjet Print
12  x 18 inches ||  30 x 46 centimeters
Edition: 1/2 + 1 AP




Arden Surdam
Fish Descending I, 2019
Archival Inkjet Print
12 x 18 inches || 30 x 46 centimeters
Edition: 1/2 + 1 AP
 



Surdam received her BA in Environmental Studies & Visual Arts at Oberlin College and her MFA from California Institute of the Arts. She has presented solo exhibitions at Offal EAST in Montauk, New York; ABXY, New York, NY; Galveston Artist Residency, Galveston, Texas; College of the Canyons, Santa Clarita, CA; SLOAN Projects, Los Angeles, CA; The Situation Room, Los Angeles, CA; Photo Basel, Switzerland.

She has presented in group exhibitions at The Institute for Art & Olfaction, Los Angeles, CA; Lucie Foundation, Los Angeles, CA; Arturo Bandini, Los Angeles, CA; Art Center College of Design, Pasadena, CA; SLOAN Projects, Los Angeles, CA; Photo LA, 25th Annual International Photographic Exposition, Los Angeles, CA; Studio Cooking in collaboration with Meghan Gordon, Armory Center for the Arts, Pasadena, CA; UCLA Wight Biennial, Los Angeles, CA

















Arden Surdam
Moonfish, 2016
Moonfish, Black Inkodye, Egg, Beeswax, Olive Oil
16 x 18 || 41 x 46 centimeters

Arden Surdam
The Poetic Life of the Lowly Eel, 2016
Eel, Smokey Quartz Photo Oil, Jade Green Photo Oil, Beeswax, Coffee, Eggs, Van Dyke Brown, Olive Oil
24 x 36 inches || 61 x  91 centimeters

Arden Surdam
Solid Liquid, 2016
Squid, Egg, Cyanotype, Tanzanite Blue Photo Oil, Coffee, Beeswax, Olive Oil
30 x 30 inches || 76 x 76 centimeters

Arden Surdam
8 Pairs of Arms, 2016
Large Octopuses, Catfish Head, Cyanotype, Beryl Yellow Photo Oil, Fire Opal Orange Photo Oil, Bleach, Hydrogen Peroxide, Beeswax, Quail Egg, Olive Oil
36 x 46 inches || 91 x 117 centimeters