Location & Hours

• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
12:00 - 18:00
• We are closed for summer break from 6. July. - 31. August. 2025

Contacts

WhatsApp/SIGNAL
• +41 76 506 48 08 (we prefer the latter)
Instagram
• @gallerykendrajaynepatrick
Email
• info@gallerykendrajaynepatrick.com

What We Do


Artists

• MANUELA MORALES DÉLANO
• ADA FRIEDMAN
• CONSTANZA CAMILA KRAMER GARFIAS
• ANDRÉ MAGAÑA

Current

MANUELA MORALES DÉLANO
Nachbarn
• Bern
24. May - 5. July. 2025

MANUELA MORALES DÉLANO & VITAL Z’BRUN
Gallery House Zürich
• Zürich
5-15 June 2025

FAISEL ABDD'ALLAH, PAMELA COUNCIL, MANUELA MORALES DÉLANO, DANIEL JASPER, MATTIAS MACCARTHY, ANDRÉ MAGAÑA, AFRICANUS OKOKON
Basel Social Club
• Basel
15-22 June 2025

Forthcoming

ANDRÉ MAGAÑA
solo exhibition
The Armory Show
• New York City
4-8 September 2025

ADA FRIEDMAN
solo exhibition
• Bern
September 2025

Orbital


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Seasonal Newsletters


Manuela Morales Délano

Nachbarn


24. May - 5. July. 2025



PRESS RELEASE: 23 May 2025

We are so pleased to introduce Manuela Morales Délano’s first solo exhibition at the gallery, Nachbarn.

German for ‘Neighbors,’ Nachbarn parses the facts and fetishes of geopolitical borders in a time of supernatural devotion to money. Working with three of her foundational motifs - circles, mountains, and shoes - Délano examines the colonial-cum-capitalist dispositions shaping ideas on the subject. Artworks in this show are grounded in one aspect of this ideology or another, dosed heavily with Manuela’s deft aesthetic tendencies towards camp, double entendre, and (worker) solidarity. She asks, who gets to choose whom we get to call ‘neighbor?’

She grew up in the mountains of Chile, and now finds herself surrounded by the differently mythical Alps. Majestic and dangerous, their geological abilities to protect and boundary their attendant societies make mountains a most obvious landscape to appropriate as a tool of political control. In Nachbarn, a fable-like scene is set by a wall-papered mural of a manmade pebble mountain upon which she stumbled at the border dividing Switzerland and Germany. It is in kinship with the rock sculptures in the other room, wearing striking tiaras fashioned from the pigeon deterrent spikes that line metropolitan buildings. 

The European Union flag and its tondo made of yellow stars, she has  reconstructed with taxidermied moths. Délano appreciates their complex beauty, extensive nocturnal journeyings, and risky attraction to manmade light. These works happen to debut during the midst of the political bloc’s own refurbishment of the symbol in its ReArm Europe campaign, where it is newly accompanied by white-skinned fingers surrounding the original star circle, both atop the flag's famous blue. Border control indeed.

The shoe sculptures appearing in this show are her most abstracted yet. Shoes remain an essential object in her practice, where they pay homage to those migrating thousands of miles for dignified work, those who threw them into Industrial-era factory machinery, and those who dug their heels into farm fields to refuse the demands of the ruling class. They are a consequential item in a show about boundaries. As usual they have high high heels, here interlaced to form an  enchanted silvery thicket. However the shoe part is missing his time; she leaves us with only their heels and fasteners. They’re the last thing keeping you from the wall-papered mountain.

These artworks are grounded in her overarching exploration of the disparate meanings of time to the rulers and to the ruled. Nachbarn elegantly clocks the way the former’s savage implementation of borders remains a most powerful tool for exerting power: commandeering bodies, restricting motion, raking in money, and wasting our time.


Manuela Morales Délano
Unos nacen con estrellas otros estrellados, 2025 (detail)
branches, leather, thread, steel
106¼ x 112¼ x 39⅜ in.
270 x 285 x 100 cm



(L-R)
“Shooting stars” Lyra (Micragone agathylla), 2025
moths, pins, cotton, walnut
31⅞ x 18⅞ x 1⅝ in.
81 x 48 x 4 cm

“Shooting stars” Leonids (Micragone agathylla), 2025
moths, pins, cotton, walnut
31⅞ x 18⅞ x 1⅝ in.
81 x 48 x 4 cm

“Shooting stars” Perseids (Micragone agathylla), 2025
moths, pins, cotton (royal blue), walnut
18⅞ x 31⅞ x 1⅝ in.
48 x 81 x 4 cm


“Shooting stars” Perseids (Micragone agathylla), 2025 (detail)
moths, pins, cotton (royal blue), walnut
18⅞ x 31⅞ x 1⅝ in.
48 x 81 x 4 cm



Espantapájaro, grey, 2025
pigeon spikes, screws, rock from the Rhine, MDF plinth
76¾ x 15⅜ x 9½ in.
195 x 39 x 24 cm

Espantapájaro, pale, 2025
pigeon spikes, screws, rock from the Rhine, MDF plinth
75⅝ x 15 x 8¼ in.
192 x 38 x 21 cm

Espantapájaro, green, 2025
pigeon spikes, screws, rock from the Rhine, MDF plinth
75⅝ x 14⅛ x 11¾ in.
192 x 36 x 30 cm




12 insect from my studio (year 2024), 2025 (detail)
insects, pins, cotton (royal blue), aluminium
40⅛ x 27⅜ x 1¾ in.
102 x 69.5 x 4.5 cm







The world in a tree ( Attacus atlas), 2025
moths, pins, cotton (royal blue), walnut
40⅛ x 27⅛ x 2¾ in.
102 x 69 x 7 cm




Andes (Border crossing Switzerland - Germany) , 2025
solvent print on paper
17¾ x 25⅝ x 1⅝ in.
45 x 65 x 4 cm




Europa, 2025
moth wings on pastel on paper, walnut
15¾ x 10¼ x 1⅝ in.
40 x 26 x 4 cm




Espantapájaro, white, 2025
pigeon spikes, screws, rock from the Rhine, MDF plinth
75⅝ x 15 x 8¼ in.
192 x 38 x 21 cm


“Shooting stars” Eta Aquarids Humming-bird (Macroglossum stellatarum) and friends , 2025
moths, cotton, pins, walnut
31⅞ x 18⅞ x 1¾ in.
81 x 48 x 4.5 cm