Artists ||
QUALEASHA WOOD


|| Exhibitions 
ADA FRIEDMAN
“Paintings in Pisces”
Oct 7 - Dec 17, 2022

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 6: OK, Computer”
New York:  March 4 - April 10, 2022
Basel: March 19 - April 26, 2022


DAVID-JEREMIAH 
“PLAY”
Jan 15 - Mar 20, 2021

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic” 
Sep 16 - Dec 31, 2020

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 3: ”I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
July 2020 for YARD Magazine

JO SHANE
“Sculptures: 1990 - Present”
May 2 - Jun 1, 2019

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG “Four as One and Three”
Sep
16 - Nov 4, 2018

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 2: One Liners” 
May 26 - June 17, 2018

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 1: Magnification”
Jan 17 - Feb 28, 2018

KENYA (ROBINSON)
“Paper Rain for Invocation Proclamation Manifesto 2 & 3“
Sep 28-30, 2017


Art Fairs || 
(forthcoming) EXPO Chicago 2023

(forthcoming) TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022

QUALEASHA WOOD @ Art Basel Miami Beach 2021

QUALEASHA WOOD @ NADA Miami Beach 2020

ROSA MENKMAN @ Daata Miami 2020

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020


|| Press
Gallery Press


Newsletter ||
Newsletter Spring 2021
Newsletter Fall 2021
Newsletter Fall 2020


|| Contact 
Schanzeneckstrasse 3, 3012 Bern Switzerland

By Appointment 
Thurs & Fri & Sat 12-6pm

WhatsApp for an appointment at 
CH: +41 76 506 48 08 
DM for an appointment on Instagram @gallerykendrajaynepatrick


About ||
An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland


|| Private Client


















Kenya (Robinson)


Paper Rain (for Invocation Proclamation Manifesto 2 & 3)|| 
||September 28-30, 2017






Finessed by the visuals of trap music videos and black social media, the mainstream has been (re)introduced to the performance of “making it rain” – the act of pitching money, like a card dealer, into the air and allowing gravity to flutter the bills to the ground. In the age of debit cards, wire transfer apps, and Bitcoin, this strip club staple emphasizes currency-as-object and asserts a distinct symbology created through the direct interaction of practitioner and patron. Paper Rain is an interactive performative investigation that elevates the vernacular of exotic dancing, as performed by women, and transforms male privilege into plastic material for manipulation.