[Location & Hours]
• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
11:00- 17:30
• WhatsApp
41 76 506 48 08
• Instagram
@gallerykendrajaynepatrick

[Artists]
• QUALEASHA WOOD
• ADA FRIEDMAN

[Press]
Gallery Press

[Current]
David-Jeremiah
I Drive Thee
Solo Exhibition
The Clark Institute
10 February 2024
- 26 January 26 2025

Qualeasha Wood
GIANTS: Art from the Dean Collection of Swizz Beatz and Alicia Keys
Group Exhibition
• The Brooklyn Museum
10 February 2024
- 7 July 2024

[Forthcoming]
Eva & Franco Mattes
Solo Exhibition
• Bern

Qualeasha Wood
Solo Exhibition
• Harvey B. Gantt Center for African-American Arts + Culture
OPENING May 24, 2024


Manuela Morales Délano
Solo Exhibition
• Basel

Constanza Camila Kramer Garfias
Solo Exhibition
• Bern

[Past] 
• Bern Gallery Weekend
Saturday 13th & Sunday 14th January, 2024
• We will also be open on Friday 12th January
• 11:00 - 19:00
[Presenting]
MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7: Do You Care Too Much?

• Bern

ADA FRIEDMAN
@ Art Basel Miami Beach 2023
Dec 6 - 10, 2023

• Miami Beach

QUALEASHA WOOD
Manic Pixie Magical Negro
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002

ADA FRIEDMAN
• Pre-Preview: A Suite of Three Paintings in New York
Nov 10 - Dec 16, 2023
178 Norfolk St
• New York City, 10002


MANUELA MORALES DÉLANO & ROBYN TSINAJINNIE •
• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 7:
Do You Care Too Much?
Sep 8 - Oct 21, 2023
• Bern


SHARONA FRANKLIN @ Art Basel
• Bouquet Solutions
Jun 13 - 18, 2023
• Basel

DAVID-JEREMIAH @ EXPO Chicago
• FOGA: Real Nigga Edition
Apr 13 - 16, 2023
• Chicago

ANDRÉ MAGAÑA
• Riquísimo
Feb 10 - Mar 25, 2023
• Bern

TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @Art Basel Miami Beach, 2022
• The Three Fates
Nov 29 - Dec 4, 2022
• Miami Beach

ADA FRIEDMAN
• Paintings in Pisces
Oct 7 - Dec 17, 2022
• Bern

• Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 6: OK, Computer
• New York City: Mar 4 - Apr 10, 2022
• Basel: Mar 19 - Apr 26, 2022


QUALEASHA WOOD

• A Suite of New Works
November 28 - December 2, 2021
• Art Basel Miami Beach


DAVID-JEREMIAH 
• PLAY
Jan 15 - Mar 20, 2021
• The Hamptons


• ROSA MENKMAN @ Daata Miami 2020 (Online)

• QUALEASHA WOOD @ NADA Miami Beach (in New York), 2020

Twenty-first Century Occupatioinal Adjustments and Considerations:
• EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic
Sep 16 - Dec 31, 2020
• Metro Pictures x Kendra Jayne Patrick, Online Exhibition

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 3: “I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
Jul 2020
• KJP for YARD Magazine

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020 (Online)
• May 20 - Jun 21, 2020

JO SHANE
• Sculptures: 1990 - Present
May 2 - Jun 1, 2019
• New York City

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG
• Four as One and Three
Sep 16 - Nov 4, 2018
• New York City

Twenty-first Century Occupational Adjustments and Considerations: 
• EPISODE 2: One Liners
May 26 - Jun 17, 2018
• The Hamptons

Twenty-first Century Occupational Adjustments and Considerations:
• EPISODE 1: Magnification
Jan 17 - Feb 28, 2018
• New York City

KENYA (ROBINSON)
• Paper Rain for
Invocation Proclamation Manifesto 2 & 3
Sep 28 - 30, 2017
• New York City



[Seasonal Newsletters]
Summer 2023
Midsummer 2022
Summer 2022
Spring 2021
Fall 2021
Fall 2020

[About]
A gallery in Bern, Switzerland with an itinerant arm in New York City. 


















QUALEASHA WOOD 
Manic Pixie, Magical Negro

10 November - 16 December 2023 

 
System Maintenance(2023)
Woven Jacquard, Glass Beads
56 x 82 in
-  
Dirt Off Your Shoulder - Jay Z (2023) 

Woven Jacquard, Glass Beads
56 x 80 in 


Qualeasha Wood’s latest investigations into digital Black womanhood lead her to the relationship between artificial intelligence and perceptions of the black femme self. AI-engineered face and body filters encoded into Instagram, Snapchat, TikTok, et al are far more intensely transformative than their predecessors. Lead by a myth of neutrality - a myth the tech bros cum overlords tell themselves over and over about the character of the systems they develop - the digital tools that alter bodies on social media surreptitiously and instantaneously impose Eurocentric beauty ideals upon us in overbearing ways.


For women of color, long harried by the pressure to meet those standards, Wood proposes this leading to a new kind of dysmorphia. One wherein Eurocentric beauty standards don’t simply haunt one from the magazine cover or the movie theater or even the trashy celebrity TikTok account. Instead, these standards sit directly on your visage, showing you exactly how green eyes, a dainty nose, a higher cheek as applied to the specifics of your face make ideal beauty *just* within reach. These digital interventions symbolize a complex interaction of technology, identity, and sexual expectations.


She posits that the allure of these filters isn’t merely about beautification, but about finding belonging in a society that regards Black femme culture as a commodity. These instant image alterations can translate to feelings of inadequacy, triggering both depersonalization (a disconnection from one’s own identity) and body dysmorphia (a distorted view of one’s own appearance). Exacerbated by the racial biases of AI filters, these conditions carry deep psychological weight. Wood is thinking heavily about Afro-pessimism and the reduction of self to a casualty of white supremacy.


The broader effects of these systems are also prominent. Among women Qualeasha’s generation and younger, plastic surgery is out in the open, run of the mill, whereas women older than her whisper about it, hoping any work they’ve had done goes unnoticed. “Snapchat dysmorphia” is a term coined by plastic surgeons who have within the last few years noticed an uptick of patients who, instead of bringing in photos of their favorite celebrity whom they want to resemble, now present AI-filtered and AI-edited versions of themselves as aspirational imperatives.



Asl? (2023) 
Tufted Wool and Acrylic 
31.25 x 28 in


(the) Big Comfy Couch (2023)
Tufted Wool and Acrylic
63 x 59.5 in


1312 (cop car piece)(2023)
Tufted Wool and Acrylic
63 x 60.5 in


Got My Eye On You (2023)
Tufted Wool and Acrylic
31.25 x 28 in


Swag Surfin (2023)
Woven Jacquard, Glass Beads
84 x 56 in


~Circumambient~ alt. Asunder (2023)
Woven Jacquard, Glass Beads
80 x 56 in

To Catch a Predator (2023)

Tufted Wool and Acrylic
104 x 82.5 in

Screensaver (2023)
Woven Jacquard, Glass Beads
82 x 56 in


Peep Show (2023)
Woven Jacquard, Glass Beads
56 x 80 in


Keyboard Warrior(The People´s Champ)(2023)
Woven Jacquard, Glass Beads
60 x 160 in