Clockwise from right: 

Ivan Argote || Altruism, 2011
Digital video 

Kenya (Robinson) || Color Test, 2018
4K video 

Kenya (Robinson) || If I’d Known You Were Coming I’ve Baked You a Cake, 2018 
Plastic resin, doilies, paint 

Ivan Argote || New York, 2011 
DIgital video 

This exhibition convenes three artists whose art objects dilate particular elements of contemporary life for more detailed inspection. With his sly public gestures, Iván Argote makes visible the emotional and cultural infrastructures that support the functionality of international metropolises. Rosa Menkman’s experimental research into the atoms of digital images yields radical aesthetic forms. And, Kenya(Robinson) continues to investigate zero-sum capitalism through absurdity, here co-opting the making strategies of an obscure online fetish community. Episode 1: Magnification inaugurates Twenty-first Century Occupational Adjustments and Considerations, Kendra Jayne Patrick’s ongoing exhibition series centered around art offering fresh perspectives on contemporary life.


Ivan Argote || New York, 2011
Digital video (still)

Kenya (Robinson) || White Balance, 2018 (still)
4K video
 

    Kenya (Robinson) || Color Test, 2018 (still)
4K video


Kenya (Robinson) ||Color Test, 2018 (still)
4K video

Kenya (Robinson) || If I’d Known You Were Coming, I’d’ve Baked You a Cake, 2018
Plastic resin, doilies, paint

Wall:
Ivan Argote || New York, 2011
Digital video

Foreground:
Kenya (Robinson) || If I’d Known You Were Coming I’d’ve Baked You a Cake, 2018
Plastic resin, doilies, paint

Far wall:

Rosa Menkman || DCT: Syphoning. The 1000000th Interval (The 64th Interval), 2016
Video

Wall: 

Rosa Menkman || DCT: Syphoning. The 1000000th Interval (The 64th Interval), 2016
Video