Artists ||
QUALEASHA WOOD


|| Exhibitions 
ADA FRIEDMAN
“Paintings in Pisces”
Oct 7 - Dec 17, 2022

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 6: OK, Computer”
New York:  March 4 - April 10, 2022
Basel: March 19 - April 26, 2022


DAVID-JEREMIAH 
“PLAY”
Jan 15 - Mar 20, 2021

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 4: Seating Chart for a Fall Dinner Party in a Pandemic” 
Sep 16 - Dec 31, 2020

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 3: ”I told my parents I was babysitting some really rich white folks’ kids”/”Dis here da new time. Let dat be.” 
July 2020 for YARD Magazine

JO SHANE
“Sculptures: 1990 - Present”
May 2 - Jun 1, 2019

JOSHUA CITARELLA, LAP-SEE LAM, TATIANA KRONBERG “Four as One and Three”
Sep
16 - Nov 4, 2018

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 2: One Liners” 
May 26 - June 17, 2018

“TWENTY-FIRST CENTURY OCCUPATIONAL ADJUSTMENTS AND CONSIDERATIONS, EPISODE 1: Magnification”
Jan 17 - Feb 28, 2018

KENYA (ROBINSON)
“Paper Rain for Invocation Proclamation Manifesto 2 & 3“
Sep 28-30, 2017


Art Fairs || 
(forthcoming) EXPO Chicago 2023

(forthcoming) TERESA BAKER, SHARONA FRANKLIN, CONSTANZA CAMILA KRAMER GARFIAS @ Art Basel Miami Beach 2022

QUALEASHA WOOD @ Art Basel Miami Beach 2021

QUALEASHA WOOD @ NADA Miami Beach 2020

ROSA MENKMAN @ Daata Miami 2020

JO SHANE, QUALEASHA WOOD, !MEDIENGRUPPE BITNIK, ARDEN SURDAM @ NADA presents, “FAIR” Inaugural Edition 2020


|| Press
Gallery Press


Newsletter ||
Newsletter Spring 2021
Newsletter Fall 2021
Newsletter Fall 2020


|| Contact 
Schanzeneckstrasse 3, 3012 Bern Switzerland

By Appointment 
Thurs & Fri & Sat 12-6pm

WhatsApp for an appointment at 
CH: +41 76 506 48 08 
DM for an appointment on Instagram @gallerykendrajaynepatrick


About ||
An itinerant art gallery in New York City, USA; a permanent locaton in Bern, Switzerland


|| Private Client



















Paul McMahon|| Jeffrey Augustine Songco || Eileen Isagon Skyers


Twenty-first Century Occupational Adjustments and Considerations
Episode 2: One Liners



May 26 - June 17, 2018




Of the very many ways that the proliferation of screens has impacted contemporary communication, one of the most resonant has been the resurgence of the one line joke. Memes are what we call these infinitely entertaining digital items; they are newfangled one-line funnies, forged from readymade digital images that have been altered by a succinct intercedent gesture. Importantly, making one requires specific consideration of the material and aesthetic qualities of each individual article, tweet, or image as distinct from its content and meaning. Easily created and shared with a smartphone, memes comprise a very significant amount of original online content. Alongside the infinite flow of factual information, then, has evolved a distinctive, aesthetically-grounded approach towards comprehending and connecting with it.



Early in the 1970’s, however, a group of artists began manipulating the stream of popular images in a similar spirit. Members of what we now call the Pictures Generation also came of age during an era of rapid (celluloid) image proliferation and radical American cultural change, only to find themselves thrust into a weak economy and subject to a flagrantly dishonest administration. By subjecting every component of popular image distributio to material and conceptual scrutiny, these influential artists cleave durable strategies for investigating the artifacts of mass culture for themselves and Internet generation artists.

Anchored by Paul McMahon’s clairvoyant 1974 decision to investigate the formal qualities of the era’s newspaper stories, this exhibition grooms this cross-generational kinship by showing those pioneering works alongside Eileen Isagon Skyers’ and Jeffrey Augustine Songco’s astute Information Age observations. The one-line joke model informs each of these works composition and spirit, achieving the pithiness of a successful meme by sharply discomposing meaningful, relevant readymades. Together, McMahon, Skyers, and Songco demonstrate imaginative and subversive aesthetic approaches to materially, culturally, and politically convoluted environments. Episode 2: One Liners continues Twenty-first Century Occupational Adjustments and Considerations, Kendra Jayne Patrick’s ongoing exhibition series centered around art offering fresh perspectives on contemporary life.


Jeffrey Augustine Songco || Number 9, 2015
Painted communion wafers mounted on velvet

Jeffrey Augustine Songco || Number 7, 2015
Painted communion wafers mounted on velvet




Eileen Isagon Skyers || Processing, 2018 (still)
Digital video



On the screen:
Eileen Isagon Skyers || Processing, 2018 
Digital video

To the right of the screen:
Jeffrey Augustine Songco || Self Portrait (mirror)#3, No Worries You Can Photoshop That, 2008
Vinyl, mirrored wooden cabinet



Paul McMahon || Canary Bird, 2016  
Oil on cardboard
                                   
Paul McMahon || Garth, 1993
Pastel on newsprint




Paul McMahon || Garth, 1993
Pastel on newsprint



Paul McMahon || Garth, 1993 
Pastel on newsprint

Paul McMahon || Busing in Boston, 1974 
Pastel on newsprint

Paul McMahon || Mild Style, 1984 
Videotape and ¾ inch videotape (recorded by Ericka Beckman with direction from Tony Oursler) 



Paul McMahon || Mild Style, 1984 (still)
Videotape and ¾ inch videotape (recorded by Ericka Beckman with direction from Tony Oursler)



Paul McMahon || Typical Traffic Scene, 1974 
Pastel on newsprint



Jeffrey Augustine Songco || Self Portrait (mirror)#2, You Should Totally Make This Your New MySpace Pic, 2008
Vinyl, mirrored glass 



Clockwise from farthest right; each is pastel on newsprint:   
Paul McMahon || Football, 1974
*This piece was included in The Metropolitan Museum of Art’s 2009 exhibition, “The Pictures Generation, 1974-1984”

Paul McMahon || The Health of a Nation, 1974

Paul McMahon || John Dean White Hand, 1974
*This piece was included in The Metropolitan Museum of Art’s 2009 exhibition, “The Pictures Generation, 1974-1984”

Paul McMahon || Fashion, 1974

Paul McMahon || Palestinian Aide Beaten in NYC, 1974 

Paul McMahon || Connecticut Gun Control Rally, 1974



Paul McMahon || Football, 1974 
Pastel on newsprint
*This piece was included in The Metropolitan Museum of Art’s 2009 exhibition, “The Pictures Generation, 1974-1984”



Paul McMahon || Orange Splat, 2018 
Oil on cardboard