Location & Hours

• Schanzeneckstrasse 3
3012 Bern, Switzerland
• Friday & Saturday
12:00 - 18:00

Contacts

WhatsApp/SIGNAL
• +41 76 506 48 08 (we prefer the latter)
Instagram
• @gallerykendrajaynepatrick
Email
• info@gallerykendrajaynepatrick.com

What We Do


Artists

• MANUELA MORALES DÉLANO
• ADA FRIEDMAN
• CONSTANZA CAMILA KRAMER GARFIAS
• ANDRÉ MAGAÑA

Current


Forthcoming

ADA FRIEDMAN & CONSTANZA CAMILA KRAMER GARFIAS
duo presentation
Independent Art Fair
• New York City
5-8. May. 2025

MANUELA MORALES DÉLANO
solo exhibition
• Bern
24. May - 5. July. 2025

ADA FRIEDMAN
solo exhibition
• Bern
September 2025

Orbital

ANDRÉ MAGAÑA
Y LAS ENTRAÑAS GRITARON
group exhibition
Guadalajara 90210
Mexico City
through 26. April. 2025

ADA FRIEDMAN
A CLEAN WELL-LIGHTED SPACE → An homage to Dave Hickey
Nature of Things
Dallas
through 31. May. 2025

CONSTANZA CAMILA KRAMER GARFIAS
Textile Manifesto - From Bauhus to Soft Sculpture
group exhibition
Museum für Gestaltung
• Zürich
through 13. July. 2025


In The News


Past Exhibitions


Art Fairs


Seasonal Newsletters


Qualeasha Wood

b. 1996, Long Branch, NJ, USA
Lives and works in Philadelphia, PA, USA

Qualeasha Wood is a textile artist whose work contemplates realities around black female embodiment that do and might exist. Inspired by a familial relationship to textiles, queer craft, Microsoft Paint and internet avatars, Wood's tufted and tapestry pieces mesh traditional craft and contemporary technological materials. Together, Qualeasha navigates both an Internet environment saturated in Black Femme figures and culture, and a political and economic environment holding that embodiment at the margins. Like the vast majority of her age-peers, Wood has operated one mortal and multiple digital avatars since pre-adolescence. For her what are intuitive combinations of analog and cybernetic compositional processes make for a plainly contemporary exploration of Black American Femme ontology.

CURRICULUM VITAE.    SELECT PRESS.

Linguistics, 2024
Woven jacquard, sterling silver and machine embroidery
71¾ x 56½ x 4 in.
182.25 x 143.51 x 10.16 cm





come outside, (we finna jump u), 2024
Woven jacquard, glass seed beads, and machine embroider
80 x 59 in.
203.20 x 149.86 cm



Keyboard Warrior, 2023
Woven Jacquard, Glass Beads
60 x 160 in.
152.40 x 406.40 cm



The [Black] Madonna-Whore Complex, 2021
Cotton Jacquard weave, glass beads
71 x 54 x ½ inches
Collection Metropolitan Museum of Art



Installation View: Manic Pixie Magical Negro, solo exhibition, Kendra Jayne Patrick, New York City, 2023



playdate, 2024
tufted wool and acrylic
55 x 51 x 1⅜ in.
139.70 x 129.54 x 3.51 cm



Swag Surfin, 2023
Cotton Jacquard weave, glass beads
84 x 56 inches





To Catch a Predator, 2023
Tufted wool and acrylic
104 x 82.5 inches





don't touch nothin', 2024
tufted wool and acrylic
25 x 25 in.
63.50 x 63.50 cm



Installation View: solo presentation with Kendra Jayne Patrick at Art Basel Miami Beach 2021



Peep Show, 2023
Woven Jacquard, Glass Beads
56 x 80 in.
142.24 x 203.20 cm


Familiar Strangers, 2022
Tufting
72 x 72 in.
182.88 x 182.88 cm.
The Rennie Collection

God is a Young Hot Ebony and She's on the Internet, 2019
Cotton Jacquard weave, glass seed beads
54 x 71 x ⅛ inches