Qualeasha Wood
The Madonna-Whore Complex, (2021)
Cotton Jacquard weave, glass beads
71 x 54 x ½ inches
Collection Metropolitain Museum of Art
Qualeasha Wood (b.1996, Long Branch, NJ)
lives and works in Philadelphia, PA.
Wood received her BA in 2019 from the Rhode Island School of Design, Providence, RI and her MA in 2021 from Cranbrook Academy of Fine Art, Bloomfield Hills, MI.
Qualeasha Wood is a textile artist whose work contemplates realities around black female embodiment that do and might exist. Inspired by a familial relationship to textiles, queer craft, Microsoft Paint and internet avatars, Wood's tufted and tapestry pieces mesh traditional craft and contemporary technological materials. Together, Qualeasha navigates both an Internet environment saturated in Black Femme figures and culture, and a political and economic environment holding that embodiment at the margins. Like the vast majority of her age-peers, Wood has operated one mortal and multiple digital avatars since pre-adolescence. For her what are intuitive combinations of analog and cybernetic compositional processes make for a plainly contemporary exploration of Black American Femme ontology.
lives and works in Philadelphia, PA.
Wood received her BA in 2019 from the Rhode Island School of Design, Providence, RI and her MA in 2021 from Cranbrook Academy of Fine Art, Bloomfield Hills, MI.
Qualeasha Wood is a textile artist whose work contemplates realities around black female embodiment that do and might exist. Inspired by a familial relationship to textiles, queer craft, Microsoft Paint and internet avatars, Wood's tufted and tapestry pieces mesh traditional craft and contemporary technological materials. Together, Qualeasha navigates both an Internet environment saturated in Black Femme figures and culture, and a political and economic environment holding that embodiment at the margins. Like the vast majority of her age-peers, Wood has operated one mortal and multiple digital avatars since pre-adolescence. For her what are intuitive combinations of analog and cybernetic compositional processes make for a plainly contemporary exploration of Black American Femme ontology.
Swag Surfin, (2023)
Cotton Jacquard weave, glass beads
84 x 56 inches
To Catch a Predator, (2023)
Tufted wool and acrylic
104 x 82.5 inches
All Around Me, (2023)
Cotton Jacquard weave, glass beads
60 x 160 inches
I'm Not Touching You!, (2023)
Tufted wool and acrylic
44½ x 44½ inches
Clout Chasin', (2023)
Woven Jacquard weave, glass beads
82 x 64 inches
Left: Objects in Mirror, (2023)
Tufted wool and acrylic
45 x 45 inches
Right: All You Must Hold On To, 2023
Tufted wool and acrylic
66 x 68 inches