FALL 2021 NEWSLETTER
News
Kendra Jayne Patrick is thrilled to announce our first showing at Art Basel Miami Beach with a suite of new textile works by gallery artist Qualeasha Wood. This will mark the first occasion of her tapestry and tufted works exhibited together. Private Days are November 30th and December 1st (invitation only); Public Days are December 2nd–4th. See our presentation in the NOVA section at booth N8; preview soon to follow.
Qualeasha Wood has been awarded the Studio Museum of Harlem Residency 2021-2022, alongside fellow newcomers Jacob Mason-Macklin and Cameron Granger. Each year, the prestigious residency grants a select group of young artists time, space, and resources to engage the experimental aspects of their practices with the full support of the venerable institution behind them. The program culminates in the fall of 2022 with a group show of the residency works on exhibition at MoMA PS1.
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On Exhibition
Kenya (Robinson)
Patriot Games, No. 11022021, 2021
Dual-projected digital video on embroidered nylon and wood, hinges
00:03:40 runtime
Patriot Games, No. 11022021, 2021
Dual-projected digital video on embroidered nylon and wood, hinges
00:03:40 runtime
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Estrid Lutz
- Bulletproof mesh y Kisses again in the tokamak stars dusts -, 2021
Aluminium spacecraft panel, Inkjet, kevlar honeycomb
39⅜ x 29½ x 1⅛ inches
100 x 75 x 3 centimeters
Countering the fallacious dichotomies of "natural and artificial" or "real and digital," Estrid Lutz uses materials like Kevlar and industrial aluminum honeycomb to investigate the ever-evolving relationships between humanity, nature, and technology. Featuring lively, abstracted pictorial scenes made from oil paint and print ink, the works demonstrate fewer boundaries between these three phenomena than we might regularly perceive.
Lutz's work as been shown at Colnaghi Gallery, London curated by Bjorn Stern (2020); MOCO, Montpellier curated by Nicolas Bourriaud (2019); Galeria Curro, Guadalajara curated by Dorothée Dupuis (2019); Tranen Copenhagen curated by Toke Lykkeberg (2019); Jelato Love, Mallorca (2018); Crash Test - La révolution moléculaire, MOCO, Montpellier curated by Nicolas Bourriaud (2018); Kunstverein Arnsberg (both 2018); Future Gallery, Berlin (2017); Rowing Projects, London (2016) and MAMO, Cité Radieuse Le Corbusier, Marseilles (2015).
- Bulletproof mesh y Kisses again in the tokamak stars dusts -, 2021
Aluminium spacecraft panel, Inkjet, kevlar honeycomb
39⅜ x 29½ x 1⅛ inches
100 x 75 x 3 centimeters
Countering the fallacious dichotomies of "natural and artificial" or "real and digital," Estrid Lutz uses materials like Kevlar and industrial aluminum honeycomb to investigate the ever-evolving relationships between humanity, nature, and technology. Featuring lively, abstracted pictorial scenes made from oil paint and print ink, the works demonstrate fewer boundaries between these three phenomena than we might regularly perceive.
Lutz's work as been shown at Colnaghi Gallery, London curated by Bjorn Stern (2020); MOCO, Montpellier curated by Nicolas Bourriaud (2019); Galeria Curro, Guadalajara curated by Dorothée Dupuis (2019); Tranen Copenhagen curated by Toke Lykkeberg (2019); Jelato Love, Mallorca (2018); Crash Test - La révolution moléculaire, MOCO, Montpellier curated by Nicolas Bourriaud (2018); Kunstverein Arnsberg (both 2018); Future Gallery, Berlin (2017); Rowing Projects, London (2016) and MAMO, Cité Radieuse Le Corbusier, Marseilles (2015).
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Wickerham & Lomax
b. Abbeyville, South Carolina and Columbus, Ohio
Live and work in Baltimore, Maryland
b. Abbeyville, South Carolina and Columbus, Ohio
Live and work in Baltimore, Maryland
Wickerham & Lomax
Nomadic Adam, 2021
UV print on mirror
93 x 46 x 3 inches
236.2 x 116.8 x 7.6 cm.
Installation view, Culture’s Panic Room
October 14 - 21, 2021 – , 2021 at the London Edition's Frieze Week Presentation.
"Their project primarily involves the generation and indexing of a torrent of content with a nexus peculiar to the duo’s mutual lived experience. The resulting multimedia image-objects become precarious and reactive containers of this swarm-like index, with each sign forming covalent bonds with those around it. Formerly known as DUOX, the artists have been working together since 2009 across diverse media, curatorial platforms, and institutional contexts, creating a body of work at once context-specific and broadly engaged with networked virtualities."*
Select solo presentations include Maison Margiella Flagship Store, New York, NY (2021); the London Edition for Frieze Week, London, UK (2021); von ammon co, Washington, DC (2020); Cultural DC Mobile Arts, Washington, DC (2019); Gillespie Gallery of Art, George Mason University, Fairfax, VA (2019); Reginald F. Lewis Museum, Baltimore, MD (2018); Neighborhood Lights, Light City, Baltimore (2017); Terrault Contemporary, Baltimore (2016); Brown University, Providence, RI (2015); The Sondheim Prize Finalist Exhibition, Baltimore (2015); Dem Passwords, Los Angeles (2015); Artists Space booth, Frieze NY 2014; New Museum’s First Look series; Artists Space, New York (2012).
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Select solo presentations include Maison Margiella Flagship Store, New York, NY (2021); the London Edition for Frieze Week, London, UK (2021); von ammon co, Washington, DC (2020); Cultural DC Mobile Arts, Washington, DC (2019); Gillespie Gallery of Art, George Mason University, Fairfax, VA (2019); Reginald F. Lewis Museum, Baltimore, MD (2018); Neighborhood Lights, Light City, Baltimore (2017); Terrault Contemporary, Baltimore (2016); Brown University, Providence, RI (2015); The Sondheim Prize Finalist Exhibition, Baltimore (2015); Dem Passwords, Los Angeles (2015); Artists Space booth, Frieze NY 2014; New Museum’s First Look series; Artists Space, New York (2012).
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